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In this Issue

Table of Contents

  1. Monteverdi’s ‘Selva morale e[t] spirituale’ (1641): Some Anomalies Explored through the Five Exemplars
  2. John Whenham
  3. pp. 511-549
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  1. John Brande Trend (1887–1958) and his Musical ‘Iter hispanicum’
  2. Tess Knighton
  3. pp. 550-583
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  1. ‘Though this be madness, yet there is method in’t’: A Counterfactual Analysis of Richard Wagner’s ‘Tannhäuser’
  2. Ilias Chrissochoidis, Heike Harmgart, Steffen Huck, Wieland Müller
  3. pp. 584-602
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  1. ‘Miroir Fluide’: Messiaen, Debussy, and Cyrano’s ‘Synaesthetic’ Bird
  2. Cheong Wai-Ling
  3. pp. 603-647
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  1. Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo ed. by Peter Wright, and: The Eton Choirbook: Facsimile and Introductory Study ed. by Magnus Williamson, and: Songs in British Sources c.1150–1300 ed. by Helen Deeming (review)
  2. Lisa Colton
  3. pp. 648-650
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  1. Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria by Alexander J. Fisher (review)
  2. Elisabeth Giselbrecht
  3. pp. 650-652
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  1. Musical Creativity in Restoration England by Rebecca Herissone (review)
  2. Bryan White
  3. pp. 652-655
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  1. Paganini: The ‘Demonic’ Virtuoso by Mai Kawabata (review)
  2. Joanne Cormac
  3. pp. 655-657
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  1. Critique musicale, 1823–1863, vol. 7: 1849–1851 by Hector Berlioz (review)
  2. Julian Rushton
  3. pp. 657-660
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  1. The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism ed. by Nicholas Mathew, Benjamin Walton (review)
  2. Dana Gooley
  3. pp. 660-662
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  1. Laughter between Two Revolutions: Opera Buffa in Italy, 1831–1848 by Francesco Izzo (review)
  2. Francesca Vella
  3. pp. 662-664
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  1. Eye hEar[:] The Visual in Music by Simon Shaw-Miller (review)
  2. Gurminder K. Bhogal
  3. pp. 664-668
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  1. Redefining Hungarian Music from Liszt to Bartók by Lynn M. Hooker (review)
  2. David E. Schneider
  3. pp. 668-670
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  1. Sounding Authentic: The Rural Miniature and Musical Modernism by Joshua S. Walden (review)
  2. Klára Móricz
  3. pp. 670-673
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  1. Federico Moreno Torroba: A Musical Life in Three Acts by Walter Aaron Clark, William Craig Krause (review)
  2. Michael Boyd
  3. pp. 673-675
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  1. The New York Composers’ Forum Concerts, 1935–1940 by Melissa J. de Graaf (review)
  2. Daniel E. Mathers
  3. pp. 675-678
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  1. Karl Amadeus Hartmann: Komponist zwischen den Fronten und zwischen den Zeiten. Bericht über das musikwissenschaftliche Symposium zum 100. Geburtstag in München, 5.–7. Oktober 2005 ed. by Inga Mai Groote, Hartmut Schick (review)
  2. Florian Scheding
  3. pp. 678-681
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  1. Bad Vibrations: The History of the Idea of Music as a Cause of Disease by James Kennaway (review)
  2. Jun Zubillaga-Pow
  3. pp. 681-684
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  1. The Orchestral Music of Michael Tippett: Creative Development and the Compositional Process by Thomas Schuttenhelm (review)
  2. Christopher Mark
  3. pp. 684-687
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  1. Anything Goes: A History of American Musical Theatre by Ethan Mordden (review)
  2. Tim Carter
  3. pp. 687-689
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  1. Popular Music and the New Auteur: Visionary Filmmakers after MTV ed. by Arved Ashby (review)
  2. Nicholas Reyland
  3. pp. 690-692
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  1. The Sociology of Wind Bands: Amateur Music between Cultural Domination and Autonomy by Vincent Dubois, Jean-Matthieu Méon, Emmanuel Pierru (review)
  2. Arnold Myers
  3. p. 693
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  1. Korean Musical Drama: P’ansori and the Making of Tradition in Modernity by Haekyung Um (review)
  2. Andrew Killick
  3. pp. 694-696
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  1. Icelandic Men and Me: Sagas of Singing, Self and Everyday Life by Robert Faulkner (review)
  2. Juniper Hill
  3. pp. 696-698
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  1. To the Editors of ‘Music & Letters’
  2. Neal Zaslaw
  3. p. 699
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  1. John Tyrrell replies:
  2. John Tyrrell
  3. p. 699
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  1. ‘Music & Letters’ Awards
  3. p. 700
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  1. Authors of articles in this Issue
  3. p. 702
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  1. Reviews of Books: Index
  3. pp. 709-711
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  1. Books Received
  3. pp. 703-704
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