1. Liberté, Égalité, Sororité: The Regime of the Sister in Graffigny’s Lettres d’une Péruvienne
  2. Tracy Rutler
  3. pp. 1-15
  4. DOI: 10.1353/frf.2014.0024
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  1. Culture as Colonizer: Raynal’s “colonialisme éclairé” in the Histoire des deux Indes
  2. Monica Michaud
  3. pp. 17-32
  4. DOI: 10.1353/frf.2014.0027
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  1. Le Libertinage féminin de Mme de Merteuil dans Les Liaisons dangereuses: Une “révolution manquée?”
  2. Yae-Jin Yoo
  3. pp. 33-48
  4. DOI: 10.1353/frf.2014.0030
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  1. Elusive Shores: Lamartine’s Méditations and the Art of Poetry
  2. Karen Quandt
  3. pp. 49-64
  4. DOI: 10.1353/frf.2014.0033
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  1. Speculation and Gender Exploitation in Balzac’s Scènes de la Vie de Province
  2. Robert Decker
  3. pp. 65-79
  4. DOI: 10.1353/frf.2014.0017
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  1. Hygiène et éducation dans Un Mariage scandaleux d’André Léo
  2. Barbara Giraud
  3. pp. 81-95
  4. DOI: 10.1353/frf.2014.0020
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  1. Paul de Kock and the Marketplace of Culture
  2. Anne O’Neil-Henry
  3. pp. 97-112
  4. DOI: 10.1353/frf.2014.0023
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  1. Trinity and Atheology: The Listening Self in Romain Rolland’s Jean-Christophe
  2. Ashok Collins
  3. pp. 113-127
  4. DOI: 10.1353/frf.2014.0026
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  1. Demeure, Jabès
  2. Yasser Elhariry
  3. pp. 129-144
  4. DOI: 10.1353/frf.2014.0029
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  1. Picturing Pain and Pleasure in Annie Ernaux’s L’Usage de la photo
  2. Lisa Connell
  3. pp. 145-160
  4. DOI: 10.1353/frf.2014.0032
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  1. L’Œuvre assassine d’Éric Chevillard
  2. Nathalie Dupont
  3. pp. 161-175
  4. DOI: 10.1353/frf.2014.0016
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  1. La Chinoise de Jean-Luc Godard et La Troisième génération de Rainer Werner Fassbinder: Le terrorisme est-il soluble dans Brecht?
  2. Antoine Krieger
  3. pp. 177-192
  4. DOI: 10.1353/frf.2014.0019
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  1. Un corps pour deux: Les couples de Carax
  2. Alban Pichon
  3. pp. 193-206
  4. DOI: 10.1353/frf.2014.0022
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  1. L’Encre de la mélancolie by Jean Starobinski (review)
  2. Ariane Lüthi
  3. pp. 207-208
  4. DOI: 10.1353/frf.2014.0025
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  1. Seeing Double: Baudelaire’s Modernity by Françoise Meltzer (review)
  2. Cory Browning
  3. pp. 209-210
  4. DOI: 10.1353/frf.2014.0028
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  1. L’Impressionisme littéraire by Virginie Pouzet-Duzer (review)
  2. Sima Godfrey
  3. pp. 210-212
  4. DOI: 10.1353/frf.2014.0031
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  1. Explosive Narratives: Terrorism and Anarchy in the Works of Émile Zola by Eduardo A. Febles (review)
  2. Daryl Lee
  3. pp. 212-215
  4. DOI: 10.1353/frf.2014.0034
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  1. The Noir Atlantic: Chester Himes and the Birth of the Francophone African Crime Novel by Pim Higginson (review)
  2. Grégory Pierrot
  3. pp. 215-217
  4. DOI: 10.1353/frf.2014.0018
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  1. Books Received
  3. pp. 219-220
  4. DOI: 10.1353/frf.2014.0021
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