1. “They Give No Cordials to Heighten the Fever”: Lady Mary, Corruption, and the Problem of Royal Influence
  2. Alexis McQuigge
  3. pp. 181-200
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  1. Empiricism and Henry Fielding’s Theory of Fiction
  2. Roger Maioli
  3. pp. 201-228
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  1. Untimely Old Age and Deformity in Sarah Scott’s Millenium Hall
  2. James Bryant Reeves
  3. pp. 229-256
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  1. Staging Sociability in The Excursion: Frances Brooke, David Garrick, and the King’s Theatre Coterie
  2. Katherine G. Charles
  3. pp. 257-284
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  1. Libertine Fiction, Forensic Fashion, and the Dandy’s Development in Edward Bulwer’s Pelham
  2. Erin Mackie
  3. pp. 285-306
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  1. Women, Work, and Clothes in the Eighteenth-Century Novel by Chloe Wigston Smith (review)
  2. Danielle Bobker
  3. pp. 307-309
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  1. Be It Ever So Humble: Poverty, Fiction, and the Invention of the Middle-Class Home by Scott R. MacKenzie (review)
  2. Katherine Binhammer
  3. pp. 310-312
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  1. Rococo Fiction in France, 1600–1715: Seditious Frivolity by Allison Stedman (review)
  2. Anne E. Duggan
  3. pp. 312-315
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  1. Medicine and Narration in the Eighteenth Century ed. by Sophie Vasset (review)
  2. Kathleen Tamayo Alves
  3. pp. 315-317
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  1. An Archaeology of Sympathy: The Sentimental Mode in Literature and Cinema by James Chandler (review)
  2. James Brooke-Smith
  3. pp. 318-320
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  1. Bad Books: Rétif de la Bretonne, Sexuality, and Pornography by Amy S. Wyngaard (review)
  2. Thomas Wynn
  3. pp. 320-322
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  1. Les plaisirs et les jours; actes du colloque de 2011 à Trois-Rivières éd. by Claude Thérien et Suzanne Foisy (review)
  2. Claude Gagnon
  3. pp. 323-325
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  1. Économies du rebut: Poétique et critique du recyclage au xviiie siècle éd. by Florence Magnot-Ogilvy et Martial Poirson (review)
  2. Sylvie Kleiman-Lafon
  3. pp. 325-328
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  1. Jane Austen the Reader: The Artist as Critic by Olivia Murphy (review)
  2. Melissa Sodeman
  3. pp. 328-331
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  1. Charles Maturin: Authorship, Authenticity and the Nation by Jim Kelly (review)
  2. Ashley Marshall
  3. pp. 331-333
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  1. Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764–1835 by Kamilla Elliott (review)
  2. Christopher Rovee
  3. pp. 334-336
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