In this Issue

Table of Contents

Articles

Teacups and Butter: The Importance of Eating in Ibsen’s A Doll’s House and The Wild Duck

Stephanie Pocock Boeninger
pp. 451-468
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Aesthetic Radicalism: Langston Hughes’s Lost Translation of Federico García Lorca’s Bodas de sangre / Blood Wedding

Michelle Woods, Sarah Wyman
pp. 469-492
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A Multiethnic Streetcar Named Desire: We’ve Had This Date from the Beginning

Virginia H. Cope
pp. 493-512
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Young Jean Lee’s Cruel Dramaturgy

Patricia Ybarra
pp. 513-533
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Reviews

South African Performance and Archives of Memory by Yvette Hutchison (review)

Megan Lewis
pp. 534-536
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Suzan-Lori Parks in Person: Interviews and Commentaries ed. by Philip C. Kolin and Harvey Young (review)

Deborah Thompson
pp. 536-538
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Imagining the Edgy City: Writing, Performing, and Building Johannesburg by Loren Kruger (review)

Marcia Blumberg
pp. 538-540
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Rebellious Mirrors: Community-Based Theatre in Aotearoa / New Zealand by Paul Maunder (review)

Diana Looser
pp. 540-543
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The Theatre of Tennessee Williams by Brenda Murphy (review)

Verna A. Foster
pp. 543-545
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Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout (review)

Steve Nicholson
pp. 545-548
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Synge and the Making of Modern Irish Drama by Anthony Roche (review)

Paul Delaney
pp. 548-550
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“That Was Us”: Contemporary Irish Theatre and Performance ed. by Fintan Walsh (review)

Siobhán O’Gorman
pp. 551-553
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Index to Volume 57, 2014

pp. 554-556
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