In this Issue

Table of Contents

Civil War Memories on the Nineteenth-Century Amateur Stage: Preserving the Union (and Its White Manly Parts)

Bethany D. Holmstrom
pp. 4-34
DOI: https://doi.org/10.1353/ths.2014.0000
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Corporeal Disasters of War: Legibilities of “Spain” and the Jewish Body in Helen Tamiris’s Adelante!

Lisa Jackson-Schebetta
pp. 35-55
DOI: https://doi.org/10.1353/ths.2014.0006
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A Doughgirl with the Doughboys: Elsie Janis, “The Regular Girl,” and the Performance of Gender in World War I Entertainment

Deanna Toten Beard
pp. 56-70
DOI: https://doi.org/10.1353/ths.2014.0012
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Staging Hibernia: Female Allegories of Ireland in Cathleen Ní Houlihan and Dawn

Tanya Dean
pp. 71-82
DOI: https://doi.org/10.1353/ths.2014.0018
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Germanification, Cultural Mission, Holocaust: Theatre in Łódź during World War II

Anselm Heinrich
pp. 83-107
DOI: https://doi.org/10.1353/ths.2014.0023
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Resistance to War: Carl Zuckmayer’s Des Teufels General

Gene A. Plunka
pp. 108-129
DOI: https://doi.org/10.1353/ths.2014.0029
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“Imposing the Standards of Boston on Japan”: Kasutori Performance, Censorship, and the Occupation

David Jortner
pp. 130-150
DOI: https://doi.org/10.1353/ths.2014.0035
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Locating Fascism by Dislocating War: Stage For Action’s Skin Deep

Chrystyna M. Dail
pp. 151-168
DOI: https://doi.org/10.1353/ths.2014.0004
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Binding and Unbinding Insurrection in Madagascar: Jean Luc Raharimanana’s 47

Haddy Kreie
pp. 169-192
DOI: https://doi.org/10.1353/ths.2014.0010
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Beyond Political Propaganda: Performing Anticommunist Nostalgia in 1950s’ Taiwan

Li-Wen (Joy) Wang
pp. 193-208
DOI: https://doi.org/10.1353/ths.2014.0016
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Marilyn Monroe: Soldier in Greasepaint

Kristi Good
pp. 209-225
DOI: https://doi.org/10.1353/ths.2014.0021
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Birnam Wood: Scotland, Nationalism, and Theatres of War

Ariel Watson
pp. 226-249
DOI: https://doi.org/10.1353/ths.2014.0027
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“Uncle Tom’s Cabin” on the American Stage and Screen by John W. Frick (review)

Rosemarie K. Bank
pp. 251-253
DOI: https://doi.org/10.1353/ths.2014.0033
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Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)

Amanda Boyle
pp. 253-256
DOI: https://doi.org/10.1353/ths.2014.0002
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Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays Edited by Verna A. Foster (review)

Peter A. Campbell
pp. 256-258
DOI: https://doi.org/10.1353/ths.2014.0008
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Theatre & Mind by Bruce McConachie (review)

Shawna Mefferd Carroll
pp. 258-260
DOI: https://doi.org/10.1353/ths.2014.0014
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Audrey Wood and the Playwrights by Milly S. Barranger (review)

Miriam M. Chirico
pp. 260-263
DOI: https://doi.org/10.1353/ths.2014.0019
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Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865 by Karl M. Kippola (review)

Francisco Costa
pp. 263-265
DOI: https://doi.org/10.1353/ths.2014.0024
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Theatre Noise: The Sound of Performance Edited by Lynne Kendrick and David Roesner (review)

Daniel C. Dennis
pp. 265-267
DOI: https://doi.org/10.1353/ths.2014.0030
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Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

Anne Fletcher
pp. 270-272
DOI: https://doi.org/10.1353/ths.2014.0005
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British Avant-Garde Theatre by Claire Warden (review)

Sara Freeman
pp. 272-275
DOI: https://doi.org/10.1353/ths.2014.0011
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Readings in Performance and Ecology Edited by Wendy Arons and Theresa J. May (review)

Jennifer Goodlander
pp. 275-278
DOI: https://doi.org/10.1353/ths.2014.0017
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Walking on Fire: The Shaping Force of Emotion in Writing Drama by Jim Linnell (review)

Jeanmarie Higgins
pp. 278-280
DOI: https://doi.org/10.1353/ths.2014.0022
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The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)

Keith Byron Kirk
pp. 280-282
DOI: https://doi.org/10.1353/ths.2014.0028
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Queen of Vaudeville: The Story of Eva Tanguay by Andrew L. Erdman (review)

Franklin J. Lasik
pp. 282-284
DOI: https://doi.org/10.1353/ths.2014.0034
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Molière on Stage: What’s So Funny? by Robert W. Goldsby (review)

Felicia Hardison Londré
pp. 285-286
DOI: https://doi.org/10.1353/ths.2014.0003
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Direction by Simon Shepherd (review)

Lewis Magruder
pp. 287-289
DOI: https://doi.org/10.1353/ths.2014.0009
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Dramaturgy of the Real on the World Stage Edited by Carol Martin (review)

William Palmer
pp. 289-291
DOI: https://doi.org/10.1353/ths.2014.0015
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Doomed by Hope: Essays on Arab Theatre Edited by Eyad Houssami (review)

George Potter
pp. 291-293
DOI: https://doi.org/10.1353/ths.2014.0020
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Shakespeare and His Contemporaries by Jonathan Hart (review)

Jane Purse-Wiedenhoeft
pp. 294-296
DOI: https://doi.org/10.1353/ths.2014.0026
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Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism by Michael Y. Bennett (review)

Adam Sheaffer
pp. 296-298
DOI: https://doi.org/10.1353/ths.2014.0032
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Acts of Gaiety: LGBT Performance and the Politics of Pleasure by Sara Warner (review)

Alan Sikes
pp. 299-302
DOI: https://doi.org/10.1353/ths.2014.0001
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Illustrations

pp. ix-x
DOI: https://doi.org/10.1353/ths.2014.0025
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Introduction

Elizabeth Reitz Mullenix
pp. 1-3
DOI: https://doi.org/10.1353/ths.2014.0031
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The Cambridge Introduction to Christopher Marlowe by Tom Rutter (review)

Rodney Donahue
pp. 268-270
DOI: https://doi.org/10.1353/ths.2014.0036
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Books Received

pp. 303-306
DOI: https://doi.org/10.1353/ths.2014.0007
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Contributors

pp. 307-310
DOI: https://doi.org/10.1353/ths.2014.0013
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