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In this Issue

Table of Contents

  1. Civil War Memories on the Nineteenth-Century Amateur Stage: Preserving the Union (and Its White Manly Parts)
  2. Bethany D. Holmstrom
  3. pp. 4-34
  4. DOI: https://doi.org/10.1353/ths.2014.0000
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  1. Corporeal Disasters of War: Legibilities of “Spain” and the Jewish Body in Helen Tamiris’s Adelante!
  2. Lisa Jackson-Schebetta
  3. pp. 35-55
  4. DOI: https://doi.org/10.1353/ths.2014.0006
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  1. A Doughgirl with the Doughboys: Elsie Janis, “The Regular Girl,” and the Performance of Gender in World War I Entertainment
  2. Deanna Toten Beard
  3. pp. 56-70
  4. DOI: https://doi.org/10.1353/ths.2014.0012
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  1. Staging Hibernia: Female Allegories of Ireland in Cathleen Ní Houlihan and Dawn
  2. Tanya Dean
  3. pp. 71-82
  4. DOI: https://doi.org/10.1353/ths.2014.0018
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  1. Germanification, Cultural Mission, Holocaust: Theatre in Łódź during World War II
  2. Anselm Heinrich
  3. pp. 83-107
  4. DOI: https://doi.org/10.1353/ths.2014.0023
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  1. Resistance to War: Carl Zuckmayer’s Des Teufels General
  2. Gene A. Plunka
  3. pp. 108-129
  4. DOI: https://doi.org/10.1353/ths.2014.0029
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  1. “Imposing the Standards of Boston on Japan”: Kasutori Performance, Censorship, and the Occupation
  2. David Jortner
  3. pp. 130-150
  4. DOI: https://doi.org/10.1353/ths.2014.0035
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  1. Locating Fascism by Dislocating War: Stage For Action’s Skin Deep
  2. Chrystyna M. Dail
  3. pp. 151-168
  4. DOI: https://doi.org/10.1353/ths.2014.0004
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  1. Binding and Unbinding Insurrection in Madagascar: Jean Luc Raharimanana’s 47
  2. Haddy Kreie
  3. pp. 169-192
  4. DOI: https://doi.org/10.1353/ths.2014.0010
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  1. Beyond Political Propaganda: Performing Anticommunist Nostalgia in 1950s’ Taiwan
  2. Li-Wen (Joy) Wang
  3. pp. 193-208
  4. DOI: https://doi.org/10.1353/ths.2014.0016
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  1. Marilyn Monroe: Soldier in Greasepaint
  2. Kristi Good
  3. pp. 209-225
  4. DOI: https://doi.org/10.1353/ths.2014.0021
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  1. Birnam Wood: Scotland, Nationalism, and Theatres of War
  2. Ariel Watson
  3. pp. 226-249
  4. DOI: https://doi.org/10.1353/ths.2014.0027
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  1. “Uncle Tom’s Cabin” on the American Stage and Screen by John W. Frick (review)
  2. Rosemarie K. Bank
  3. pp. 251-253
  4. DOI: https://doi.org/10.1353/ths.2014.0033
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  1. Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)
  2. Amanda Boyle
  3. pp. 253-256
  4. DOI: https://doi.org/10.1353/ths.2014.0002
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  1. Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays Edited by Verna A. Foster (review)
  2. Peter A. Campbell
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/ths.2014.0008
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  1. Theatre & Mind by Bruce McConachie (review)
  2. Shawna Mefferd Carroll
  3. pp. 258-260
  4. DOI: https://doi.org/10.1353/ths.2014.0014
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  1. Audrey Wood and the Playwrights by Milly S. Barranger (review)
  2. Miriam M. Chirico
  3. pp. 260-263
  4. DOI: https://doi.org/10.1353/ths.2014.0019
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  1. Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865 by Karl M. Kippola (review)
  2. Francisco Costa
  3. pp. 263-265
  4. DOI: https://doi.org/10.1353/ths.2014.0024
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  1. Theatre Noise: The Sound of Performance Edited by Lynne Kendrick and David Roesner (review)
  2. Daniel C. Dennis
  3. pp. 265-267
  4. DOI: https://doi.org/10.1353/ths.2014.0030
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  1. Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)
  2. Anne Fletcher
  3. pp. 270-272
  4. DOI: https://doi.org/10.1353/ths.2014.0005
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  1. British Avant-Garde Theatre by Claire Warden (review)
  2. Sara Freeman
  3. pp. 272-275
  4. DOI: https://doi.org/10.1353/ths.2014.0011
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  1. Readings in Performance and Ecology Edited by Wendy Arons and Theresa J. May (review)
  2. Jennifer Goodlander
  3. pp. 275-278
  4. DOI: https://doi.org/10.1353/ths.2014.0017
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  1. Walking on Fire: The Shaping Force of Emotion in Writing Drama by Jim Linnell (review)
  2. Jeanmarie Higgins
  3. pp. 278-280
  4. DOI: https://doi.org/10.1353/ths.2014.0022
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  1. The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)
  2. Keith Byron Kirk
  3. pp. 280-282
  4. DOI: https://doi.org/10.1353/ths.2014.0028
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  1. Queen of Vaudeville: The Story of Eva Tanguay by Andrew L. Erdman (review)
  2. Franklin J. Lasik
  3. pp. 282-284
  4. DOI: https://doi.org/10.1353/ths.2014.0034
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  1. Molière on Stage: What’s So Funny? by Robert W. Goldsby (review)
  2. Felicia Hardison Londré
  3. pp. 285-286
  4. DOI: https://doi.org/10.1353/ths.2014.0003
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  1. Direction by Simon Shepherd (review)
  2. Lewis Magruder
  3. pp. 287-289
  4. DOI: https://doi.org/10.1353/ths.2014.0009
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  1. Dramaturgy of the Real on the World Stage Edited by Carol Martin (review)
  2. William Palmer
  3. pp. 289-291
  4. DOI: https://doi.org/10.1353/ths.2014.0015
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  1. Doomed by Hope: Essays on Arab Theatre Edited by Eyad Houssami (review)
  2. George Potter
  3. pp. 291-293
  4. DOI: https://doi.org/10.1353/ths.2014.0020
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  1. Shakespeare and His Contemporaries by Jonathan Hart (review)
  2. Jane Purse-Wiedenhoeft
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/ths.2014.0026
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  1. Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism by Michael Y. Bennett (review)
  2. Adam Sheaffer
  3. pp. 296-298
  4. DOI: https://doi.org/10.1353/ths.2014.0032
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  1. Acts of Gaiety: LGBT Performance and the Politics of Pleasure by Sara Warner (review)
  2. Alan Sikes
  3. pp. 299-302
  4. DOI: https://doi.org/10.1353/ths.2014.0001
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  1. Illustrations
  3. pp. ix-x
  4. DOI: https://doi.org/10.1353/ths.2014.0025
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  1. Introduction
  2. Elizabeth Reitz Mullenix
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/ths.2014.0031
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  1. The Cambridge Introduction to Christopher Marlowe by Tom Rutter (review)
  2. Rodney Donahue
  3. pp. 268-270
  4. DOI: https://doi.org/10.1353/ths.2014.0036
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  1. Books Received
  3. pp. 303-306
  4. DOI: https://doi.org/10.1353/ths.2014.0007
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  1. Contributors
  3. pp. 307-310
  4. DOI: https://doi.org/10.1353/ths.2014.0013
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