1. Modal Transpositions toward Theatres of Encounter, or, in Praise of “Media Intermultimodality”
  2. Andy Lavender
  3. pp. 499-518
  4. DOI: 10.1353/tj.2014.0105
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  1. Hayloft’s Thyestes: Adapting Seneca for the Australian Stage and Context
  2. Margaret Hamilton
  3. pp. 519-539
  4. DOI: 10.1353/tj.2014.0110
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  1. All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night’s Unstable Identities
  2. John R. Severn
  3. pp. 541-557
  4. DOI: 10.1353/tj.2014.0115
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  1. Gentlemen Prefer Adaptations: Addressing Industry and Gender in Adaptation Studies
  2. Bethany Wood
  3. pp. 559-579
  4. DOI: 10.1353/tj.2014.0120
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  1. Ghosts We Have Seen Before: Trends in Adaptation in Contemporary Performance
  2. Katja Krebs
  3. pp. 581-590
  4. DOI: 10.1353/tj.2014.0125
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  1. The Mysteries Conceived and directed by Ed Sylvanus Iskandar (review)
  2. Jill Stevenson
  3. pp. 591-594
  4. DOI: 10.1353/tj.2014.0130
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  1. The Grapes of Wrath by Frank Galati (review)
  2. Aaron C. Thomas
  3. pp. 594-596
  4. DOI: 10.1353/tj.2014.0103
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  1. Roddy Doyle’s the Commitments: A New Musical by Roddy Doyle, and: Teenage Kicks: A Punk Musical by Colin Bateman (review)
  2. Mary Jo Lodge
  3. pp. 596-599
  4. DOI: 10.1353/tj.2014.0108
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  1. A Man’s a Man by Bertolt Brecht (review)
  2. Jordan Schildcrout
  3. pp. 599-601
  4. DOI: 10.1353/tj.2014.0113
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  1. Spill by Leigh Fondakowski (review)
  2. courtney b. Ryan
  3. pp. 601-604
  4. DOI: 10.1353/tj.2014.0118
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  1. Major Barbara by George Bernard Shaw, and: The Light in the Piazza by Craig Lucas and Adam Guettel, and: Guys and Dolls by Jo Swerling, Abe Burrows, and Frank Loesser (review)
  2. Byron Nelson
  3. pp. 604-608
  4. DOI: 10.1353/tj.2014.0123
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  1. Measure for Measure by William Shakespeare (review)
  2. Rachel Evans
  3. pp. 608-611
  4. DOI: 10.1353/tj.2014.0128
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  1. Twelfth Night by William Shakespeare (review)
  2. Horacio Sierra
  3. pp. 611-613
  4. DOI: 10.1353/tj.2014.0134
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  1. A Lady of Little Sense by Lope de Vega, and: Punishment Without Revenge by Lope de Vega, and: Don Gil of the Green Breeches by Tirso de Molina (review)
  2. Esther Fernández, Juan Hernando Vázquez
  3. pp. 614-617
  4. DOI: 10.1353/tj.2014.0106
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  1. La Zapatera Prodigiosa (The Prodigious Shoemaker’s Wife) by Federico García Lorca (review)
  2. BEN DE WITTE
  3. pp. 617-619
  4. DOI: 10.1353/tj.2014.0111
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  1. The House that will not Stand by Marcus Gardley (review)
  2. Miriam Chirico
  3. pp. 619-621
  4. DOI: 10.1353/tj.2014.0116
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  1. The Barber of Seville by Pierre-Augustin Caron de Beaumarchais, and: The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (review)
  2. Tili Boon Cuillé
  3. pp. 621-624
  4. DOI: 10.1353/tj.2014.0121
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  1. Adaptation
  2. Kevin J. Wetmore Jr.
  3. pp. 625-634
  4. DOI: 10.1353/tj.2014.0126
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  1. Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant, and: Shakespeare in America: An Anthology from the Revolution to Now ed. by James Shapiro (review)
  2. Felicia Hardison Londre
  3. pp. 635-637
  4. DOI: 10.1353/tj.2014.0131
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  1. Sex and War on the American Stage: Lysistrata in performance, 1930–2012 by Emily B. Klein (review)
  2. Helene P. Foley
  3. pp. 637-638
  4. DOI: 10.1353/tj.2014.0104
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  1. The Politics of Adaptation: Contemporary African Drama and Greek Tragedy by Astrid Van Weyenberg (review)
  2. Phillip Zapkin
  3. pp. 638-639
  4. DOI: 10.1353/tj.2014.0109
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  1. South African Performance and Archives of Memory by Yvette Hutchison (review)
  2. Gibson Alessandro Cima
  3. pp. 639-341
  4. DOI: 10.1353/tj.2014.0114
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  1. Imagining the Edgy City: Writing, Performing, and Building Johannesburg by Loren Kruger (review)
  2. Catherine M. Cole
  3. pp. 641-642
  4. DOI: 10.1353/tj.2014.0119
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  1. Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickstrom (review)
  2. Jen Harvie
  3. pp. 642-644
  4. DOI: 10.1353/tj.2014.0124
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  1. Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout (review)
  2. Baz Kershaw
  3. pp. 644-646
  4. DOI: 10.1353/tj.2014.0129
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  1. Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (review)
  2. Laurie Frederik
  3. pp. 646-647
  4. DOI: 10.1353/tj.2014.0102
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  1. Contemporary Mise En Scène: Staging Theatre Today by Patrice Pavis (review)
  2. Jeanmarie Higgins
  3. pp. 648-649
  4. DOI: 10.1353/tj.2014.0107
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  1. Perform, Repeat, Record: Live Art in History ed. by Amelia Jones and Adrian Heathfield, and: Live Art in La: Performance in Southern California, 1970–1983 ed. by Peggy Phelan (review)
  2. Marie Pecorari
  3. pp. 649-651
  4. DOI: 10.1353/tj.2014.0112
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  1. Wild Tongues: Transnational Mexican Popular Culture by Rita E. Urquijo-Ruiz, and: La Voz Latina: Contemporary Plays and Performance Pieces by Latinas ed. Elizabeth C. Ramírez and Catherine Casiano (review)
  2. Ashley Lucas
  3. pp. 651-653
  4. DOI: 10.1353/tj.2014.0117
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  1. Yip Harburg: Legendary Lyricist and Human Rights Activist by Harriet Hyman Alonso (review)
  2. Vivian Appler
  3. pp. 653-654
  4. DOI: 10.1353/tj.2014.0122
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  1. Editorial Comment: Theatre and Adaptation
  2. Joanne Tompkins
  3. pp. ix-xi
  4. DOI: 10.1353/tj.2014.0133
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  1. Books Received
  3. pp. 655-663
  4. DOI: 10.1353/tj.2014.0127
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  1. Contributors’ Index
  3. pp. 667-675
  4. DOI: 10.1353/tj.2014.0132
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