1. Elegy for No One, and: On a Photograph of Gurdjieff in a Bookstore Window
  2. Keith Althaus
  3. pp. 6-7
  4. DOI: 10.1353/plo.2014.0097
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  1. Fifteen Views of a Christening Gown, and: Portrait with Closed Eyes
  2. Jeanne Marie Beaumont
  3. pp. 8-10
  4. DOI: 10.1353/plo.2014.0064
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  1. If It’s Magic
  2. Remica Bingham-Risher
  3. p. 11
  4. DOI: 10.1353/plo.2014.0070
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  1. Next Year in Juarez
  2. Christopher Brunt
  3. pp. 12-26
  4. DOI: 10.1353/plo.2014.0076
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  1. Lost Music
  2. Christopher Buckley
  3. pp. 27-28
  4. DOI: 10.1353/plo.2014.0082
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  1. Mannequin
  2. David Cameron
  3. pp. 29-43
  4. DOI: 10.1353/plo.2014.0088
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  1. Curious Questions
  2. Bruce Cohen
  3. pp. 44-45
  4. DOI: 10.1353/plo.2014.0094
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  1. “I tried to save as many of them…”
  2. Tadeusz Dąbrowski, Antonia Lloyd-Jones
  3. p. 46
  4. DOI: 10.1353/plo.2014.0062
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  1. The Sound of Oars
  2. Sierra Golden
  3. p. 47
  4. DOI: 10.1353/plo.2014.0068
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  1. What Remains
  2. Mary Gordon
  3. pp. 48-57
  4. DOI: 10.1353/plo.2014.0074
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  1. A Beautiful Day
  2. Lisa Gruenberg
  3. pp. 58-76
  4. DOI: 10.1353/plo.2014.0080
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  1. Note
  2. Kathleen Halme
  3. p. 77
  4. DOI: 10.1353/plo.2014.0086
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  1. The Case for Psychic Distance
  2. Jennifer Hanno
  3. pp. 78-88
  4. DOI: 10.1353/plo.2014.0092
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  1. Correcting My Mother’s Essay
  2. Zeina Hashem Beck
  3. pp. 89-90
  4. DOI: 10.1353/plo.2014.0099
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  1. The Windows
  2. Michael Hettich
  3. p. 91
  4. DOI: 10.1353/plo.2014.0066
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  1. At Mohanraj
  2. Nalini Jones
  3. pp. 92-94
  4. DOI: 10.1353/plo.2014.0072
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  1. Outside the Rialto
  2. Lisa C. Krueger
  3. p. 95
  4. DOI: 10.1353/plo.2014.0078
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  1. No Damage
  2. Ying-Ju Lai
  3. pp. 96-109
  4. DOI: 10.1353/plo.2014.0084
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  1. Sad Jar of Atoms
  2. Lance Larsen
  3. p. 110
  4. DOI: 10.1353/plo.2014.0090
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  1. Postcards, and: The Angel Bernard
  2. Philip Levine
  3. pp. 111-113
  4. DOI: 10.1353/plo.2014.0096
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  1. Inside the Book, and: On Language
  2. Wayne Miller
  3. pp. 114-117
  4. DOI: 10.1353/plo.2014.0063
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  1. Void and Compensation (Migraine)
  2. Michael Morse
  3. pp. 118-119
  4. DOI: 10.1353/plo.2014.0069
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  1. It Doesn’t Look Like Much Now, Does It?
  2. Lex Runciman
  3. pp. 120-121
  4. DOI: 10.1353/plo.2014.0075
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  1. J.
  2. Sherod Santos
  3. p. 122
  4. DOI: 10.1353/plo.2014.0081
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  1. White Lake Breaking
  2. Laurie Sewall
  3. p. 123
  4. DOI: 10.1353/plo.2014.0087
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  1. Better
  2. Mairead Small Staid
  3. p. 124
  4. DOI: 10.1353/plo.2014.0093
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  1. Lineage Fragment, and: Frances of the Cadillac
  2. Laura Van Prooyen
  3. pp. 125-126
  4. DOI: 10.1353/plo.2014.0100
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  1. This World Is Not Your Home
  2. Matthew Vollmer
  3. pp. 127-140
  4. DOI: 10.1353/plo.2014.0067
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  1. Space
  2. Afaa Michael Weaver
  3. p. 141
  4. DOI: 10.1353/plo.2014.0073
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  1. “In the woods…”, and: “Five ravens climbed…”
  2. Gary Young
  3. p. 142
  4. DOI: 10.1353/plo.2014.0079
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  1. Rosalee Carrasco
  2. Tomiko M. Breland
  3. pp. 144-156
  4. DOI: 10.1353/plo.2014.0085
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  1. In the Memory of the Living
  2. Eliese Colette Goldbach
  3. pp. 157-170
  4. DOI: 10.1353/plo.2014.0091
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  1. Why Is It the More, and: To Leave Through a Wall, and: Hurricane, 1989
  2. Rosalie Moffett
  3. pp. 171-176
  4. DOI: 10.1353/plo.2014.0098
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  1. Caretaker, Murderer, Undertaker: A Plan B Essay
  2. Sherrie Flick
  3. pp. 177-180
  4. DOI: 10.1353/plo.2014.0065
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  1. Dancing in a Box: A Look2 Essay on Rhina P. Espaillat
  2. Nancy Kang, Silvio Torres-Saillant
  3. pp. 181-194
  4. DOI: 10.1353/plo.2014.0071
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  1. Zacharis Award
  2. pp. 195-200
  3. DOI: 10.1353/plo.2014.0077
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  1. Editors’ Shelf: Book Recommendations from Our Advisory Editors
  2. pp. 200-203
  3. DOI: 10.1353/plo.2014.0083
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  1. Editors’ Corner: New Works by Our Advisory Editors
  2. p. 203
  3. DOI: 10.1353/plo.2014.0089
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  1. Contributors’ Notes: Winter 2014-15
  2. pp. 203-208
  3. DOI: 10.1353/plo.2014.0095
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