Research in African Literatures

In this Issue

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Accounting for African Presence in Aesthetic Modernity in Simon Gikandi’s Slavery and the Culture of Taste

Adélékè Adéè̳kó̳

pp. 1-7

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Gikandi and the Modern Subject

Kenneth Harrow

pp. 8-16

DOI: https://doi.org/10.2979/reseafrilite.45.4.8

Teaching Notes on Simon Gikandi’s Slavery and the Culture of Taste

Tejumola Olaniyan

pp. 17-23

DOI: https://doi.org/10.2979/reseafrilite.45.4.17

Conjunction, Preposition, Supplement, and Trace in Slavery and the Culture of Taste

Ato Quayson

pp. 24-28

DOI: https://doi.org/10.2979/reseafrilite.45.4.24

Between Slavery and Taste: A Response

Simon Gikandi

pp. 29-32

DOI: https://doi.org/10.2979/reseafrilite.45.4.29

Colo-mentality: Colonial Trauma in Oyono’s Houseboy and Condé’s Crossing the Mangrove

Cajetan N. Iheka

pp. 33-49

DOI: https://doi.org/10.2979/reseafrilite.45.4.33

Dambudzo Marechera’s Amelia Love Poems: Innovative or Overrated?

Drew Shaw, John Eppel

pp. 50-69

DOI: https://doi.org/10.2979/reseafrilite.45.4.50

Nature and Identity in the Poetry of Bart Wolffe

Syned Mthatiwa

pp. 70-88

DOI: https://doi.org/10.2979/reseafrilite.45.4.70

Feminism with a Big “F”: Ethics and the Rebirth of African Feminism in Chika Unigwe’s On Black Sisters’ Street

Chielozona Eze

pp. 89-103

DOI: https://doi.org/10.2979/reseafrilite.45.4.89

On the Demonization and Discrimination of Akan and Yoruba Women in Ghanaian and Nigerian Video Movies

Louise Müller

pp. 104-120

Africa’s Struggles for Decolonization: From Achebe to Mandela

Paul Tiyambe Zeleza

pp. 121-139

DOI: https://doi.org/10.2979/reseafrilite.45.4.121

Creole Renegades: Rhetoric of Betrayal and Guilt in the Caribbean Diaspora by Bénédicte Boisseron (review)

Roxanna Curto

pp. 140-141

The Cambridge Companion to Nelson Mandela ed. by Rita Barnard (review)

Loren Kruger

pp. 142-144

Perceiving Pain in African Literature by Zoe Norridge (review)

Kate Haines

pp. 144-147

Adalberto Ortiz: From Margin to Center by Marvin Alfonso Lewis (review)

Arthur Hughes

pp. 147-149

The Power to Name: A History of Anonymity in Colonial West Africa by Stephanie Newell (review)

Stephen Ney

pp. 149-150

Africa in Stereo: Modernism, Music, and Pan-African Solidarity by Tsitsi Ella Jaji (review)

RaShelle R. Peck

pp. 150-152

Ira Aldridge: Performing Shakespeare in Europe, 1852–1855 by Bernth Lindfors (review)

Matthew Yde

pp. 153-154

Africa Must Be Modern: A Manifesto by Olúfémi Táiwò (review)

Stephen Ney

pp. 154-155

Forum

Dr. Myriam J. A. Chancy

p. 156

Evaluators for Volume 45

p. 157

Introduction: On Simon Gikandi’s Slavery and the Culture of Taste