1. Accounting for African Presence in Aesthetic Modernity in Simon Gikandi’s Slavery and the Culture of Taste
  2. Adélékè Adéè̳kó̳
  3. pp. 1-7
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  1. Gikandi and the Modern Subject
  2. Kenneth Harrow
  3. pp. 8-16
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  1. Teaching Notes on Simon Gikandi’s Slavery and the Culture of Taste
  2. Tejumola Olaniyan
  3. pp. 17-23
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  1. Conjunction, Preposition, Supplement, and Trace in Slavery and the Culture of Taste
  2. Ato Quayson
  3. pp. 24-28
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  1. Between Slavery and Taste: A Response
  2. Simon Gikandi
  3. pp. 29-32
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  1. Colo-mentality: Colonial Trauma in Oyono’s Houseboy and Condé’s Crossing the Mangrove
  2. Cajetan N. Iheka
  3. pp. 33-49
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  1. Dambudzo Marechera’s Amelia Love Poems: Innovative or Overrated?
  2. Drew Shaw, John Eppel
  3. pp. 50-69
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  1. Nature and Identity in the Poetry of Bart Wolffe
  2. Syned Mthatiwa
  3. pp. 70-88
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  1. Feminism with a Big “F”: Ethics and the Rebirth of African Feminism in Chika Unigwe’s On Black Sisters’ Street
  2. Chielozona Eze
  3. pp. 89-103
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  1. On the Demonization and Discrimination of Akan and Yoruba Women in Ghanaian and Nigerian Video Movies
  2. Louise Müller
  3. pp. 104-120
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  1. Africa’s Struggles for Decolonization: From Achebe to Mandela
  2. Paul Tiyambe Zeleza
  3. pp. 121-139
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  1. Creole Renegades: Rhetoric of Betrayal and Guilt in the Caribbean Diaspora by Bénédicte Boisseron (review)
  2. Roxanna Curto
  3. pp. 140-141
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  1. The Cambridge Companion to Nelson Mandela ed. by Rita Barnard (review)
  2. Loren Kruger
  3. pp. 142-144
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  1. Perceiving Pain in African Literature by Zoe Norridge (review)
  2. Kate Haines
  3. pp. 144-147
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  1. Adalberto Ortiz: From Margin to Center by Marvin Alfonso Lewis (review)
  2. Arthur Hughes
  3. pp. 147-149
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  1. The Power to Name: A History of Anonymity in Colonial West Africa by Stephanie Newell (review)
  2. Stephen Ney
  3. pp. 149-150
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  1. Africa in Stereo: Modernism, Music, and Pan-African Solidarity by Tsitsi Ella Jaji (review)
  2. RaShelle R. Peck
  3. pp. 150-152
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  1. Ira Aldridge: Performing Shakespeare in Europe, 1852–1855 by Bernth Lindfors (review)
  2. Matthew Yde
  3. pp. 153-154
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  1. Africa Must Be Modern: A Manifesto by Olúfémi Táiwò (review)
  2. Stephen Ney
  3. pp. 154-155
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  1. Forum
  2. Dr. Myriam J. A. Chancy
  3. p. 156
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  1. Evaluators for Volume 45
  3. p. 157
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  1. Introduction: On Simon Gikandi’s Slavery and the Culture of Taste
  2. Tejumola Olaniyan
  3. p. v
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