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Table of Contents

  1. Comedy, Capitalism, and a Loss of Gravity
  2. Alan Ackerman
  3. pp. 139-175
  4. DOI: https://doi.org/10.13110/discourse.36.2.0139
  5. restricted access
  1. Destructive Metamorphosis: The Comedy of Female Catastrophe and Feminist Film Historiography
  2. Maggie Hennefeld
  3. pp. 176-206
  4. DOI: https://doi.org/10.13110/discourse.36.2.0176
  5. restricted access
  1. Acts of Erasure: The Limits of the Image in Naomi Uman’s Early Films
  2. Ofer Eliaz
  3. pp. 207-231
  4. DOI: https://doi.org/10.13110/discourse.36.2.0207
  5. restricted access
  1. Germany’s Lost Son, Germany’s Dark Dream: Werner Herzog, Ecstasy, and Einfühlung
  2. Marcus P. Bullock
  3. pp. 232-260
  4. DOI: https://doi.org/10.13110/discourse.36.2.0232
  5. restricted access
  1. False Movements: Or, What Counts as Cinema for Deleuze?
  2. Nico Baumbach
  3. pp. 261-270
  4. DOI: https://doi.org/10.13110/discourse.36.2.0261
  5. restricted access
  1. The Forgotten Passageway from VHS to VOD
  2. Kevin McDonald
  3. pp. 271-275
  4. DOI: https://doi.org/10.13110/discourse.36.2.0271
  5. restricted access
  1. Contributors
  3. pp. 276-277
  4. restricted access