1. Performance on the Eve of Negro Spring
  2. Taisha Paggett
  3. pp. 2-3
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  1. Performing Desire
  2. Jill Dolan, Stacy Wolf
  3. pp. 8-11
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  1. Domestic(-ated) Desires, Tanked City
  2. Judith Hamera
  3. pp. 12-22
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  1. In the Window at Disney: A Lifetime of Brand Desire
  2. Susan Bennett, Marlis Schweitzer
  3. pp. 23-31
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  1. Billy’s World, or Toying with Desire in the Gay 1990s
  2. Brian Eugenio Herrera
  3. pp. 32-45
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  1. Desire and Kairos: Cassils’s Terisias
  2. Maurya Wickstrom
  3. pp. 46-55
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  1. Touching, Flirting, Whispering: Performing Intimacy in Public
  2. Fintan Walsh
  3. pp. 56-67
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  1. “When Elephants Are in Must”: Peggy Shaw, Acts of Trans/fer, and the Present Future of Queer Desire
  2. Jaclyn Pryor
  3. pp. 68-79
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  1. Hide and Go Seek: Child’s Play as Archival Act in Valerie Solanas’s SCUM Manifesto
  2. Sara Warner, Mary Jo Watts
  3. pp. 80-93
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  1. The Trouble with Tears: Excess and Desire in Austin’s Grrl Action
  2. Sarah Myers
  3. pp. 94-104
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  1. Lena Horne and Judy Garland: Divas, Desire, and Discipline in the Civil Rights Era
  2. Deborah Paredez
  3. pp. 105-119
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  1. Left Wanting
  2. Holly Hughes
  3. pp. 120-125
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  1. Basketball and Desire
  2. Deb Margolin
  3. pp. 126-128
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  1. The Radiant Desire of Jomama Jones
  2. Daniel Alexander Jones, Matthew Glassman
  3. pp. 129-135
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  1. Black Desire, Theatrical Jazz, and River See
  2. Omi Osun Joni L. Jones, Sharon Bridgforth
  3. pp. 136-146
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  1. Queer Aging Bareback: A Ride with the Parthenon Sculptures
  2. Kim Marra
  3. pp. 147-157
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  1. Substance-resonance: Mårten Spångberg’s La Substance, but in English
  2. André Lepecki
  3. pp. 158-162
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  1. Ambushed by Empathy: George Brant’s Grounded
  2. Elise Morrison
  3. pp. 163-169
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  1. Immanent Utopia/Utopia Imminent: Thomas Hirschhorn’s Gramsci Monument
  2. Jessica Rizzo
  3. pp. 170-176
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  1. Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout (review)
  2. Michael Shane Boyle
  3. pp. 177-179
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  1. The Cambridge Companion to Theatre History Edited by David Wiles and Christine Dymkowski (review)
  2. Scott Magelssen
  3. pp. 179-181
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  1. Puro Arte: Filipinos on the Stages of Empire by Lucy Mae San Pablo Burns (review)
  2. Dan Bacalzo
  3. pp. 182-184
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  1. Performance, Politics, and the War on Terror: “Whatever It Takes.” by Sara Brady (review)
  2. Lindsey Mantoan
  3. pp. 184-186
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  1. Performing Hybridity in Colonial-Modern China by Siyuan Liu (review)
  2. Tanya Dean
  3. pp. 186-188
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