1. “an orator of feather unto an audience of fuzz”: Performance as Subject and Setting in Emily Dickinson’s Poems
  2. Jessica L. Jessee
  3. pp. 1-23
  4. DOI: 10.1353/edj.2014.0016
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  1. “My Granite Lip”: Dickinson’s Rhythms and the Problem of Performance
  2. Greg Sevik
  3. pp. 24-45
  4. DOI: 10.1353/edj.2014.0018
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  1. Pursuing the Form of a Ghost: Emily Dickinson Thinks about Death through Hamlet
  2. Sally Bayley
  3. pp. 46-68
  4. DOI: 10.1353/edj.2014.0020
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  1. Interchangeability and Mutuality: The Relativity of Power in Dickinson’s Gendered Relationships
  2. Ursula Caci
  3. pp. 69-91
  4. DOI: 10.1353/edj.2014.0011
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  1. Translations of Emily Dickinson into Chinese, 1949–1983 (Part II)
  2. Baihua Wang
  3. pp. 92-104
  4. DOI: 10.1353/edj.2014.0012
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  1. Emily Dickinson in Context by Richards, Eliza (review)
  2. Gary Lee Stonum
  3. pp. 105-107
  4. DOI: 10.1353/edj.2014.0013
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  1. The Gorgeous Nothings: Emily Dickinson’s Envelope Poems by Bervin, Jen (review)
  2. Alexandra Socarides
  3. pp. 107-110
  4. DOI: 10.1353/edj.2014.0015
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  1. EDIS Calls for Papers, Announcements and Awards
  2. pp. 114-117
  3. DOI: 10.1353/edj.2014.0019
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  1. Editorial Note
  2. Cristanne Miller
  3. p. vi
  4. DOI: 10.1353/edj.2014.0014
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  1. Contributors
  2. pp. 111-112
  3. DOI: 10.1353/edj.2014.0017
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