1. Sentimentalizing Daisy for the Screen
  2. Tom Morgan
  3. pp. 13-31
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  1. Fitzgerald and the Idea of Society
  2. Ronald Berman
  3. pp. 32-43
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  1. The Fisher King of West Egg: The Influence of Jessie Weston’s From Ritual to Romance on The Great Gatsby
  2. Andrea Lagomarsino
  3. pp. 44-66
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  1. Reading Nostalgia: Textual Memory in The Great Gatsby
  2. Niklas Salmose
  3. pp. 67-87
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  1. “He’s not dead—I know he isn’t”: The Narrative of Absence in F. Scott Fitzgerald’s Short Stories
  2. Shosuke Kinugawa
  3. pp. 88-107
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  1. Of Empresses and Indians: A Compositional History of “The End of Hate”
  2. Justin Mellette
  3. pp. 108-123
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  1. The Cult of Artistry in Zelda Fitzgerald’s Save Me the Waltz
  2. Rickie-Ann Legleitner
  3. pp. 124-142
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  1. Teaching Tarleton: A Roundtable
  2. Cam Cobb, Natasha Wiebe, Michael K. Potter, Bryant Mangum
  3. pp. 143-166
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  1. Digitizing the Fitzgerald Family at the University of South Carolina
  2. Laura Douglass Marion
  3. pp. 167-173
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  1. Guilelessly Staging the Self
  2. Kirk Curnutt
  3. pp. 174-181
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  1. Diamonds are Forever
  2. Tom Cerasulo
  3. pp. 182-184
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  1. Hearing Fitzgerald’s Music
  2. Jade Broughton Adams
  3. pp. 185-188
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  1. Echoes of Old Empires
  2. Helen M. Turner
  3. pp. 189-192
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  1. Pastoral Sacraments of the Midwest
  2. Sara A. Kosiba
  3. pp. 192-194
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  1. Fitzgerald and France, or “The Course of True Love Never did Run Smooth”: A Review Essay
  2. Elisabeth Bouzonviller
  3. pp. 194-200
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  1. Current Bibliography
  2. Jeanne M. Alexander
  3. pp. 201-206
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  1. Editors’ Note
  2. pp. V-VIII
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  1. Contributors
  2. pp. 207-210
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