1. Reading Tender Is the Night as a Serial Text
  2. James L. W. West III, Joe Greenwell, Justin Mellette, David J. McConnell, Robert Birdwell, Michael Maguire, Derek Lee, Krista Quesenberry, Jace Gatzmeyer, John Schneider, Emmet Quinn
  3. pp. 1-12
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  1. Sentimentalizing Daisy for the Screen
  2. Tom Morgan
  3. pp. 13-31
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  1. Fitzgerald and the Idea of Society
  2. Ronald Berman
  3. pp. 32-43
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  1. The Fisher King of West Egg: The Influence of Jessie Weston’s From Ritual to Romance on The Great Gatsby
  2. Andrea Lagomarsino
  3. pp. 44-66
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  1. Reading Nostalgia: Textual Memory in The Great Gatsby
  2. Niklas Salmose
  3. pp. 67-87
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  1. “He’s not dead—I know he isn’t”: The Narrative of Absence in F. Scott Fitzgerald’s Short Stories
  2. Shosuke Kinugawa
  3. pp. 88-107
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  1. Of Empresses and Indians: A Compositional History of “The End of Hate”
  2. Justin Mellette
  3. pp. 108-123
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  1. The Cult of Artistry in Zelda Fitzgerald’s Save Me the Waltz
  2. Rickie-Ann Legleitner
  3. pp. 124-142
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  1. Teaching Tarleton: A Roundtable
  2. Cam Cobb, Natasha Wiebe, Michael K. Potter, Bryant Mangum
  3. pp. 143-166
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  1. Digitizing the Fitzgerald Family at the University of South Carolina
  2. Laura Douglass Marion
  3. pp. 167-173
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  1. Guilelessly Staging the Self
  2. Kirk Curnutt
  3. pp. 174-181
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  1. Diamonds are Forever
  2. Tom Cerasulo
  3. pp. 182-184
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  1. Hearing Fitzgerald’s Music
  2. Jade Broughton Adams
  3. pp. 185-188
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  1. Echoes of Old Empires
  2. Helen M. Turner
  3. pp. 189-192
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  1. Pastoral Sacraments of the Midwest
  2. Sara A. Kosiba
  3. pp. 192-194
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  1. Fitzgerald and France, or “The Course of True Love Never did Run Smooth”: A Review Essay
  2. Elisabeth Bouzonviller
  3. pp. 194-200
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  1. Current Bibliography
  2. Jeanne M. Alexander
  3. pp. 201-206
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  1. Editors’ Note
  3. pp. V-VIII
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  1. Contributors
  3. pp. 207-210
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