1. When did George Beeston join the King’s Company?: New Information in an Unpublished Letter
  2. Riki Miyoshi
  3. pp. 66-68
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  1. Drawing in a Theatre: Peacham, de Witt, and the Table-Book
  2. June Schlueter
  3. pp. 69-86
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  1. Pierrots Perfected: Louis Rihll and Artistic Developments in Concert Party Entertainment on the London and Provincial Stage, 1900–1930
  2. Bernard Ince
  3. pp. 87-119
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  1. The Quality of Mercy: Reflections on Shakespeare by Peter Brook (review)
  2. Ralph Berry
  3. p. 120
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  1. Finding Sampson Penley by Alan Stockwell, and: Jonathan Dewhurst: The Curtain Falls by Philip Taylor, Susan Taylor (review)
  2. Richard Foulkes
  3. p. 121
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  1. Edwin Booth A Biography and Performance History by Arthur W. Bloom (review)
  2. Richard Foulkes
  3. pp. 121-122
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  1. Putting on Panto to Pay for the Pinter by Chris Abbott (review)
  2. Millie Taylor
  3. pp. 122-123
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  1. Theatre, Performance and Analogue Technology: Historical Interfaces and Intermedialities by Kara Reilly (review)
  2. Christopher Baugh
  3. pp. 123-125
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  1. British Avant-Garde Theatre by Claire Warden (review)
  2. John Bull
  3. pp. 125-126
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  1. Passionate Playgoing in Early Modern England by Allison P. Hobgood (review)
  2. David Wiles
  3. pp. 126-127
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