1. The Pearl-Poet Manuscript in York
  2. Joel Fredell
  3. pp. 1-39
  4. DOI: 10.1353/sac.2014.0004
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  1. Of Judges and Jewelers: Pearl and the Life of Saint John
  2. Susanna Fein
  3. pp. 41-76
  4. DOI: 10.1353/sac.2014.0010
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  1. Lydgate’s Jailbird
  2. Corey Sparks
  3. pp. 77-101
  4. DOI: 10.1353/sac.2014.0016
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  1. Dictators of Venus: Clerical Love Letters and Female Subjection in Troilus and Criseyde and the Rota Veneris
  2. Jonathan M. Newman
  3. pp. 103-138
  4. DOI: 10.1353/sac.2014.0022
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  1. The Legend of Thebes and Literary Patricide in Chaucer, Boccaccio, and Statius
  2. Leah Schwebel
  3. pp. 139-168
  4. DOI: 10.1353/sac.2014.0028
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  1. Practices of Satisfaction and Piers Plowman’s Dynamic Middle
  2. Ryan McDermott
  3. pp. 169-207
  4. DOI: 10.1353/sac.2014.0034
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  1. Dismal Science: Chaucer and Gower on Alchemy and Economy
  2. Robert Epstein
  3. pp. 209-248
  4. DOI: 10.1353/sac.2014.0002
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  1. When Scribes Won’t Write: Gaps in Middle English Books
  2. Daniel Wakelin
  3. pp. 249-278
  4. DOI: 10.1353/sac.2014.0008
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  1. Fragments and Assemblages: Forming Compilations of Medieval London by Arthur Bahr (review)
  2. Joseph A. Dane
  3. pp. 279-283
  4. DOI: 10.1353/sac.2014.0014
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  1. From Beasts to Souls: Gender and Embodiment in Medieval Europe ed. by E. Jane Burns and Peggy McCracken (review)
  2. Holly A. Crocker
  3. pp. 279-283
  4. DOI: 10.1353/sac.2014.0026
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  1. Why Can the Dead Do Such Great Things? Saints and Worshippers from the Martyrs to the Reformation by Robert Bartlett (review)
  2. Susan Zimmerman
  3. pp. 283-286
  4. DOI: 10.1353/sac.2014.0020
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  1. Poetics of the Incarnation: Middle English Writing and the Leap of Love by Cristina Maria Cervone (review)
  2. Eleanor Johnson
  3. pp. 292-295
  4. DOI: 10.1353/sac.2014.0032
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  1. Animal Encounters: Contacts and Concepts in Medieval Britain by Susan Crane (review)
  2. Robert Mills
  3. pp. 295-298
  4. DOI: 10.1353/sac.2014.0000
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  1. How Soon Is Now? Medieval Texts, Amateur Readers, and the Queerness of Time by Carolyn Dinshaw (review)
  2. Brantley L. Bryant
  3. pp. 298-302
  4. DOI: 10.1353/sac.2014.0006
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  1. Scribit Mater: Mary and the Language Arts in the Literature of Medieval England by Georgiana Donavin (review)
  2. Frances Beer
  3. pp. 302-305
  4. DOI: 10.1353/sac.2014.0012
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  1. John Lydgate and the Poetics of Fame by Mary C. Flannery (review)
  2. Mark Faulkner
  3. pp. 306-308
  4. DOI: 10.1353/sac.2014.0018
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  1. The Culture of Inquisition in Medieval England ed. by Mary C. Flannery and Katie L. Walter (review)
  2. Jamie Taylor
  3. pp. 308-311
  4. DOI: 10.1353/sac.2014.0024
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  1. Answerable Style: The Idea of the Literary in Medieval England ed. by Frank Grady and Andrew Galloway (review)
  2. Kathleen Smith
  3. pp. 314-317
  4. DOI: 10.1353/sac.2014.0036
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  1. Trading Tongues: Merchants, Multilingualism, and Medieval Literature by Jonathan Hsy (review)
  2. John M. Fyler
  3. pp. 317-320
  4. DOI: 10.1353/sac.2014.0003
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  1. Imagination, Meditation and Cognition in the Middle Ages by Michelle Karnes (review)
  2. Michael G. Sargent
  3. pp. 320-323
  4. DOI: 10.1353/sac.2014.0009
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  1. Translating Troy: Provincial Politics in Alliterative Romance by Alex Mueller (review)
  2. Christine Chism
  3. pp. 323-328
  4. DOI: 10.1353/sac.2014.0015
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  1. Medieval Crossover: Reading the Secular against the Sacred by Barbara Newman (review)
  2. Catherine Sanok
  3. pp. 328-332
  4. DOI: 10.1353/sac.2014.0021
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  1. Occasions for Writing: Essays on Medieval and Renaissance Literature, Politics and Society by John Scattergood (review)
  2. John M. Ganim
  3. pp. 332-334
  4. DOI: 10.1353/sac.2014.0027
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  1. Dark Chaucer: An Assortment ed. by Myra Seaman, Eileen Joy, and Nicola Masciandaro (review)
  2. Marion Turner
  3. pp. 335-338
  4. DOI: 10.1353/sac.2014.0033
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  1. Medieval Autographies: The “I” of the Text by A. C. Spearing (review)
  2. Rory G. Critten
  3. pp. 338-341
  4. DOI: 10.1353/sac.2014.0001
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  1. Reading “Piers Plowman.” by Emily Steiner (review)
  2. Kellie Robertson
  3. pp. 341-344
  4. DOI: 10.1353/sac.2014.0007
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  1. Reading Skin in Medieval Literature and Culture ed. by Katie L. Walter (review)
  2. Pablo Maurette
  3. pp. 344-347
  4. DOI: 10.1353/sac.2014.0013
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  1. Interpretation and Performance: Essays for Alan Gaylord ed. by Susan Yager and Elise E. Morse-Gagné (review)
  2. Andrew James Johnston
  3. pp. 351-354
  4. DOI: 10.1353/sac.2014.0025
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  1. An Annotated Chaucer Bibliography, 2012
  2. Stephanie Amsel, Mark Allen
  3. pp. 359-360
  4. DOI: 10.1353/sac.2014.0037
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  1. Classifications
  2. pp. 361-362
  3. DOI: 10.1353/sac.2014.0005
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  1. Bibliographical Citations and Annotations
  2. pp. 373-421
  3. DOI: 10.1353/sac.2014.0023
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  1. Author Index—Bibliography
  2. pp. 423-426
  3. DOI: 10.1353/sac.2014.0029
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  1. Index
  2. pp. 427-431
  3. DOI: 10.1353/sac.2014.0035
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  1. The Making of Thomas Hoccleve’s “Series” by David Watt (review)
  2. Matthew Fisher
  3. pp. 347-351
  4. DOI: 10.1353/sac.2014.0019
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  1. Books Received
  2. pp. 355-357
  3. DOI: 10.1353/sac.2014.0031
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  1. Abbreviations of Chaucer’s Works
  2. pp. 363-365
  3. DOI: 10.1353/sac.2014.0011
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  1. Periodical Abbreviations
  2. pp. 367-371
  3. DOI: 10.1353/sac.2014.0017
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