+ MUSE Alert

In this Issue

Table of Contents

  1. Statements by and About the Deceased Artist
  2. Belkis Ayón
  3. pp. 769-775
  4. DOI: https://doi.org/10.1353/cal.2014.0170
  5. restricted access
  1. A Kind of Emancipation: After Kara Walker
  2. Vievee Francis
  3. p. 776
  4. DOI: https://doi.org/10.1353/cal.2014.0171
  5. restricted access
  1. Artist Statement
  2. Julie Mehretu
  3. pp. 777-781
  4. DOI: https://doi.org/10.1353/cal.2014.0180
  5. restricted access
  1. An Interview with Julie Mehretu
  2. Dagmawi Woubshet
  3. pp. 782-798
  4. DOI: https://doi.org/10.1353/cal.2014.0173
  5. restricted access
  1. Artist Statement
  2. Kevin Jerome Everson
  3. pp. 799-801
  4. DOI: https://doi.org/10.1353/cal.2014.0142
  5. restricted access
  1. A Conversation with Kevin Jerome Everson
  2. Claudrena Harold
  3. pp. 802-808
  4. DOI: https://doi.org/10.1353/cal.2014.0165
  5. restricted access
  1. Artist Statement
  2. Mark Bradford
  3. pp. 809-813
  4. DOI: https://doi.org/10.1353/cal.2014.0178
  5. restricted access
  1. Painting After All: A Conversation with Mark Bradford
  2. Huey Copeland
  3. pp. 814-826
  4. DOI: https://doi.org/10.1353/cal.2014.0157
  5. restricted access
  1. Artist Statement
  2. Clifford Owens
  3. pp. 827-834
  4. DOI: https://doi.org/10.1353/cal.2014.0144
  5. restricted access
  1. The Satisfactions of a Limited View: On the paintings of Horace Pippin
  2. Janice N. Harrington
  3. p. 835
  4. DOI: https://doi.org/10.1353/cal.2014.0160
  5. restricted access
  1. Fear: After Fear by Trenton Doyle Hancock, 2008
  2. Kiki Petrosino
  3. p. 836
  4. DOI: https://doi.org/10.1353/cal.2014.0149
  5. restricted access
  1. Artist Statement
  2. Trenton Doyle Hancock
  3. pp. 837-843
  4. DOI: https://doi.org/10.1353/cal.2014.0167
  5. restricted access
  1. Tabac: After Jean-Michel Basquiat
  2. Andrew E. Colarusso
  3. p. 844
  4. DOI: https://doi.org/10.1353/cal.2014.0155
  5. restricted access
  1. Artist Statement
  2. Kianja Strobert
  3. pp. 845-847
  4. DOI: https://doi.org/10.1353/cal.2014.0177
  5. restricted access
  1. On Daniel Minter’s High John the Conqueror
  2. Jericho Brown
  3. p. 848
  4. DOI: https://doi.org/10.1353/cal.2014.0147
  5. restricted access
  1. Artist Statement
  2. Eric J. Henderson
  3. pp. 849-851
  4. DOI: https://doi.org/10.1353/cal.2014.0175
  5. restricted access
  1. Dear Mr. Bill
  2. Yusef Komunyakaa
  3. pp. 852-854
  4. DOI: https://doi.org/10.1353/cal.2014.0168
  5. restricted access
  1. For Which It Stands
  2. Gregory Pardlo
  3. pp. 855-856
  4. DOI: https://doi.org/10.1353/cal.2014.0140
  5. restricted access
  1. Artist Statement
  2. Tiago Gualberto
  3. pp. 857-860
  4. DOI: https://doi.org/10.1353/cal.2014.0159
  5. restricted access
  1. Artist Statement
  2. Phillip Thomas
  3. pp. 861-865
  4. DOI: https://doi.org/10.1353/cal.2014.0150
  5. restricted access
  1. Ode to Black Botanical Illustrators
  2. Janice N. Harrington
  3. p. 866
  4. DOI: https://doi.org/10.1353/cal.2014.0152
  5. restricted access
  1. Artist Statement
  2. Leslie Smith III
  3. pp. 867-869
  4. DOI: https://doi.org/10.1353/cal.2014.0169
  5. restricted access
  1. Tyree Guyton’s Rosa Parks Street Sign: Fragment from the Heidelberg Project Art Installation
  2. Jamaal May
  3. p. 870
  4. DOI: https://doi.org/10.1353/cal.2014.0185
  5. restricted access
  1. Artist Statement
  2. Nari Ward
  3. pp. 871-873
  4. DOI: https://doi.org/10.1353/cal.2014.0158
  5. restricted access
  1. Newly Discovered Portrait of America’s First Black President: After Horace H. Pippin (1888–1946)
  2. Janice N. Harrington
  3. p. 874
  4. DOI: https://doi.org/10.1353/cal.2014.0143
  5. restricted access
  1. Artist Statement
  2. Florine Demosthene
  3. pp. 875-879
  4. DOI: https://doi.org/10.1353/cal.2014.0133
  5. restricted access
  1. Spring Moths: After Youssef El Khorrib
  2. Myronn Hardy
  3. p. 880
  4. DOI: https://doi.org/10.1353/cal.2014.0179
  5. restricted access
  1. Artist Statement
  2. Alexandre Arrechea
  3. pp. 881-887
  4. DOI: https://doi.org/10.1353/cal.2014.0154
  5. restricted access
  1. Tyree Guyton’s Caged Brain: Detroit Institute of the Arts
  2. Jamaal May
  3. p. 888
  4. DOI: https://doi.org/10.1353/cal.2014.0176
  5. restricted access
  1. Artist Statement
  2. Mequitta Ahuja
  3. pp. 889-893
  4. DOI: https://doi.org/10.1353/cal.2014.0182
  5. restricted access
  1. Losing the Way, 1930: Oil on burnt-wood by Horace Pippin
  2. Janice N. Harrington
  3. p. 894
  4. DOI: https://doi.org/10.1353/cal.2014.0134
  5. restricted access
  1. Artist Statement
  2. Robert Pruitt
  3. pp. 895-897
  4. DOI: https://doi.org/10.1353/cal.2014.0161
  5. restricted access
  1. Untitled (Aopkhes): After Jean-Michel Basquiat
  2. Andrew E. Colarusso
  3. p. 898
  4. DOI: https://doi.org/10.1353/cal.2014.0163
  5. restricted access
  1. Artist Statement
  2. Jennie C. Jones
  3. pp. 899-902
  4. DOI: https://doi.org/10.1353/cal.2014.0148
  5. restricted access
  1. Artist Statement
  2. Lynette Yiadom-Boakye
  3. pp. 903-906
  4. DOI: https://doi.org/10.1353/cal.2014.0174
  5. restricted access
  1. Artist Statement
  2. Rodrigue Glombard
  3. pp. 907-912
  4. DOI: https://doi.org/10.1353/cal.2014.0151
  5. restricted access
  1. Artist Statement
  2. Rosana Paulino
  3. pp. 913-916
  4. DOI: https://doi.org/10.1353/cal.2014.0153
  5. restricted access
  1. Artist Statement
  2. Didier William
  3. pp. 917-920
  4. DOI: https://doi.org/10.1353/cal.2014.0166
  5. restricted access
  1. Artist Statement
  2. Wangechi Mutu
  3. pp. 921-928
  4. DOI: https://doi.org/10.1353/cal.2014.0135
  5. restricted access
  1. Artist Statement
  2. Edgar Arceneaux
  3. pp. 929-932
  4. DOI: https://doi.org/10.1353/cal.2014.0146
  5. restricted access
  1. Artist Statement
  2. Isaac Julien
  3. pp. 933-938
  4. DOI: https://doi.org/10.1353/cal.2014.0156
  5. restricted access
  1. Artist Statement
  2. Sidney Amaral
  3. pp. 939-942
  4. DOI: https://doi.org/10.1353/cal.2014.0137
  5. restricted access
  1. Artist Statement
  2. Nicole Awai
  3. pp. 943-946
  4. DOI: https://doi.org/10.1353/cal.2014.0162
  5. restricted access
  1. Artist Statement
  2. Manuel Mathieu
  3. pp. 947-950
  4. DOI: https://doi.org/10.1353/cal.2014.0172
  5. restricted access
  1. Artist Statement
  2. Rashid Johnson
  3. pp. 951-956
  4. DOI: https://doi.org/10.1353/cal.2014.0139
  5. restricted access
  1. Artist Statement
  2. Hank Willis Thomas
  3. pp. 957-960
  4. DOI: https://doi.org/10.1353/cal.2014.0141
  5. restricted access
  1. Artist Statement
  2. Michael K. Taylor
  3. pp. 961-964
  4. DOI: https://doi.org/10.1353/cal.2014.0186
  5. restricted access
  1. Artist Statement
  2. Sedrick Huckaby
  3. pp. 965-968
  4. DOI: https://doi.org/10.1353/cal.2014.0184
  5. restricted access
  1. Artist Statement
  2. Shantell Martin
  3. pp. 969-972
  4. DOI: https://doi.org/10.1353/cal.2014.0164
  5. restricted access
  1. Performing Empathies: The Art of Saya Woolfalk
  2. Nicole R. Fleetwood
  3. pp. 973-989
  4. DOI: https://doi.org/10.1353/cal.2014.0145
  5. restricted access
  1. “The Slave Ship Imprint”: Representing the Body, Memory, and History in Contemporary African American and Black British Painting, Photography, and Installation Art
  2. Celeste-Marie Bernier
  3. pp. 990-1022
  4. DOI: https://doi.org/10.1353/cal.2014.0181
  5. restricted access
  1. Visual Legacies of Slavery and Emancipation
  2. Cheryl Finley
  3. pp. 1023-1032
  4. DOI: https://doi.org/10.1353/cal.2014.0136
  5. restricted access
  1. The Personal Without Mask
  2. Charles Henry Rowell
  3. pp. v-xvi
  4. DOI: https://doi.org/10.1353/cal.2014.0183
  5. restricted access
  1. Acknowledgment
  2. Charles Henry Rowell
  3. pp. 1033-1034
  4. DOI: https://doi.org/10.1353/cal.2014.0138
  5. restricted access