1. Rag-and-Bone Angel: The Angelus Novus in Charles Bernstein‘s Shadowtime
  2. Michael Reid Busk
  3. pp. 1-15
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  1. “Nothing is Left Out”: Kenneth Goldsmith’s Sports and Erasure Poetry
  2. Brian C. Cooney
  3. pp. 16-33
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  1. Reading [as] the Power-Free Text: Jackson Mac Low’s Words nd Ends from Ez
  2. Courtney A. Pfahl
  3. pp. 34-53
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  1. Egocentric Predicaments: Charles Olson and the New York School of Music
  2. Mark Byers
  3. pp. 54-69
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  1. Epic Encounters: The Modernist Long Poem Goes to the Movies
  2. Marsha Bryant
  3. pp. 70-90
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  1. City Transit Gloria: Mass Movements and Metropolitan Poetics
  2. Tim Conley
  3. pp. 91-108
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  1. Feeling the Elephant: T.S. Eliot’s Bolovian Epic
  2. Loretta Johnson
  3. pp. 109-129
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  1. The Spanish Copla in T.S. Eliot’s “Landscapes”
  2. Margaret Greaves
  3. pp. 130-142
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  1. “A Satirist of Vices and Follies”: Beardsley, Eliot, and Images of Decadent Catholicism
  2. Martin Lockerd
  3. pp. 143-165
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  1. Spicer and His Critical Reception: A Review of Daniel Katz’s The Poetry of Jack Spicer
  2. Caleb Beckwith
  3. pp. 166-170
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  1. Translation and Transmission: Modern Poetry and Transatlantic Connection
  2. Emily Robins Sharpe
  3. pp. 171-173
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  1. Forming Cultural Poetics: A Review of Michael Davidson’s On the Outskirts of Form: Practicing Cultural Poetics
  2. Caleb Beckwith
  3. pp. 174-176
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  1. The Critic and the Fat Girl
  2. Daniel Rosenberg Nutters
  3. pp. 177-181
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  1. Nothing Too Private: The Letters of T.S. Eliot Volume 3: 1926–1927
  2. Maxime D. McKenna
  3. pp. 182-185
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  1. The Chronolibidinal World of Dying for Time
  2. Jennifer Yusin
  3. pp. 186-194
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  1. Notes on Contributors
  2. pp. 195-197
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