1. A Note from the Guest Editor
  2. Arman Schwartz
  3. pp. 1-4
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents

Articles

  1. “Meanwhile, Let’s Go Back in Time”: Allegory, Actuality, and History in Robert Ashley’s Television Opera Trilogy
  2. David Gutkin
  3. pp. 5-48
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Staging Crisis: Opera aperta and the 1959 Venice Biennale Commissions
  2. Harriet Boyd
  3. pp. 49-68
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. To do justice to opera’s “monstrosity”: Bernd Alois Zimmermann’s Die Soldaten
  2. Emily Richmond Pollock
  3. pp. 69-92
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Absent Diva: Notes toward a Life of Cathy Berberian
  2. Arman Schwartz
  3. pp. 93-104
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Orality, Invisibility, and Laughter: Traces of Milan in Bruno Maderna and Virginio Puecher’s Hyperion (1964)
  2. Delia Casadei
  3. pp. 105-134
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents

Auditions: Four Texts by Bernd Alois Zimmermann, translated by Elaine Fitz Gibbon with Emily Richmond Pollock

  1. Lenz and New Aspects of Opera
  2. Bernd Alois Zimmermann, Elaine R. Fitz Gibbon, Emily Richmond Pollock
  3. pp. 135-139
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Three Scenes from the Opera Die Soldaten
  2. Bernd Alois Zimmermann, Elaine R. Fitz Gibbon, Emily Richmond Pollock
  3. pp. 140-141
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. On Die Soldaten
  2. Bernd Alois Zimmermann, Elaine R. Fitz Gibbon, Emily Richmond Pollock
  3. pp. 142-144
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Future of Opera
  2. Bernd Alois Zimmermann, Elaine R. Fitz Gibbon, Emily Richmond Pollock
  3. pp. 144-151
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents

Reviews

Performance

  1. The Geometry of Thomas Adès’s The Tempest
  2. Theodore Leinwand
  3. pp. 152-156
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Power Exchange: Thomas Adès’s The Tempest
  2. Drew Daniel
  3. pp. 157-160
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Tempest Ex Machina: A Review of the Opera Onstage
  2. Majel A. Connery
  3. pp. 161-165
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Prospero’s Ossified Isle: Thomas Adès’s The Tempest
  2. Heather Wiebe
  3. pp. 166-168
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents