In this Issue

Table of Contents

Westminster Abbey and the Academy of Ancient Music: A Library once Lost and now Partially Recovered

H. Diack Johnstone
pp. 329-373
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Towards a Narratological Analysis of the Romantic Lied: Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music

Andrew H. Weaver
pp. 374-403
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‘Never out of Date and Never Modern’: Aesthetic Democracy, Radical Music Criticism, and ‘The Sackbut’

Sarah Collins
pp. 404-428
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Out of the Ordinary: The Quotidian in the Music of Graeme Koehne

Mark Carroll
pp. 429-451
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Music and Performance in the Later Middle Ages by Elizabeth Randell Upton (review)

Jeremy Llewellyn
pp. 452-454
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Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence by Tim Carter and Richard A. Goldthwaite (review)

Barbara Russano Hanning
pp. 454-456
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The Land of Opportunity: Joseph Haydn and Britain ed. by Richard Chesser and David Wyn Jones (review)

W. Dean Sutcliffe
pp. 456-460
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Verdi in America: Oberto through Rigoletto by George W. Martin (review)

Chloe Valenti
pp. 460-462
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Experiencing Verdi: A Listener’s Companion by Donald Sanders (review)

Francesca Vella
pp. 462-464
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Wagner’s Parsifal by William Kinderman (review)

Nicholas Baragwanath
pp. 464-467
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Body Knowledge: Performance, Intermediality and American Entertainment at the Turn of the Twentieth Century by Mary Simonson (review)

Marian Wilson Kimber
pp. 467-469
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Crosscurrents: American and European Music in Interaction, 1900–2000 ed. by Felix Meyer et al. (review)

Arnold Whittall
pp. 469-471
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Stravinsky’s Ballets by Charles M. Joseph, and: Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom by Pieter C. van den Toorn and John McGinness (review)

Katerina Levidou
pp. 471-476
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Friedelind Wagner: Richard Wagner’s Rebellious Granddaughter by Eva Rieger (review)

Mark Berry
pp. 476-478
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The Roberto Gerhard Companion ed. by Monty Adkins and Michael Russ (review)

Sebastian Forbes
pp. 479-481
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Sounds of War: Music in the United States during World War II by Annegret Fauser (review)

Danielle Fosler-Lussier
pp. 481-484
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From Boulanger to Stockhausen: Interviews and a Memoir by Bálint András Varga (review)

Paul Miller
pp. 484-487
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Tombeau: Facsimiles of the Draft Score and the First Fair Copy of the Full Score by Pierre Boulez (review)

Paul Miller
pp. 487-489
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Konzert-Szenen: Bewegung, Performance, Medien. Musik zwischen performativer Expansion und medialer Integration 1950–2000 by Christa Brüstle (review)

David Roesner
pp. 489-491
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Crossing Traditions: American Popular Music in Local and Global Contexts ed. by Babacar M’Baye and Alexander Charles Oliver Hall (review)

Justin Patch
pp. 491-493
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Kaija Saariaho: Visions, Narratives, Dialogues ed. by Tim Howell, Jon Hargreave, and Michael Rofe (review)

Liam Cagney
pp. 493-495
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Experiencing ‘Flow’ in Jazz Performance by Elina Hytönen-Ng (review)

Milton Mermikides
pp. 495-497
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On Repeat: How Music Plays the Mind by Elizabeth Hellmuth Margulis (review)

Jonathan Dunsby
pp. 497-499
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Songs in their Heads: Music and its Meaning in Children’s Lives by Patricia Shehan Campbell (review)

Roe-Min Kok
pp. 499-502
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The Westrup Prize

p. 503
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Recipients of ‘Music & Letters’ Awards

p. 503
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‘Music & Letters’ Awards

p. 505
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Authors of Articles in this Issue

p. 505
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Books Received

pp. 506-509
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