1. Jews in Soviet Cinema: The Film Commissar by Aleksandr Askol’dov
  2. Victoria Khiterer
  3. pp. 1-29
  4. DOI: 10.1353/sho.2014.0068
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  1. Chameleon Man and Unruly Woman: Dustin Hoffman and Barbra Streisand
  2. Vincent Brook
  3. pp. 30-56
  4. DOI: 10.1353/sho.2014.0070
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  1. Judaic Cinecorporeality: Fleshing Out the Haredi Male Body in Avishai Sivan's The Wanderer
  2. Dan Chyutin
  3. pp. 57-82
  4. DOI: 10.1353/sho.2014.0072
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  1. The Halo of Education in Abraham Cahan’s “The Imported Bridegroom” and The Rise of David Levinsky
  2. Dan Shiffman
  3. pp. 83-100
  4. DOI: 10.1353/sho.2014.0061
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  1. Paul Auster and Charles Reznikoff: The Hunger-Artists of Jewish America
  2. Izabela Zieba
  3. pp. 101-124
  4. DOI: 10.1353/sho.2014.0063
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  1. The Politics of Literature in Nazi Germany: Books and the Media Dictatorship by Jan-Pieter Barbian (review)
  2. Elisabeth Krimmer
  3. pp. 127-129
  4. DOI: 10.1353/sho.2014.0067
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  1. Jeremiah and God’s Plans of Well-Being by Barbara Green (review)
  2. Aubrey Buster
  3. pp. 130-132
  4. DOI: 10.1353/sho.2014.0069
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  1. The Spanish Holocaust: Inquisition and Extermination in Twentieth-Century Spain by Paul Preston (review)
  2. Jack Fischel
  3. pp. 135-137
  4. DOI: 10.1353/sho.2014.0060
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  1. Walther Rathenau: Weimar’s Fallen Statesman by Shulamit Volkov (review)
  2. Erik Grimmer-Solem
  3. pp. 138-141
  4. DOI: 10.1353/sho.2014.0062
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  1. The Mystical Life of Franz Kafka by June O. Leavitt (review)
  2. Karl E. Grözinger
  3. pp. 141-143
  4. DOI: 10.1353/sho.2014.0064
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  1. Contributors
  2. pp. 145-146
  3. DOI: 10.1353/sho.2014.0066
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