1. Working Words: New Approaches to Japanese Studies
  2. Jordan Sand, Alan Tansman, Dennis Washburn
  3. pp. 1-8
  4. DOI: 10.1353/roj.2013.0009
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  1. 音楽 Ongaku, Onkyō/Music, Sound
  2. Hosokawa Shūhei
  3. pp. 9-20
  4. DOI: 10.1353/roj.2013.0014
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  1. 史学 Shigaku/History
  2. Thomas Keirstead
  3. pp. 21-32
  4. DOI: 10.1353/roj.2013.0018
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  1. 懺悔 Zange/Confession
  2. Christine Marran
  3. pp. 33-42
  4. DOI: 10.1353/roj.2013.0022
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  1. 美人 Bijin/Beauty
  2. Miya Elise Mizuta
  3. pp. 43-55
  4. DOI: 10.1353/roj.2013.0026
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  1. おたく Otaku/Geek
  2. Morikawa Kaichiro, Dennis Washburn
  3. pp. 56-66
  4. DOI: 10.1353/roj.2013.0002
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  1. 中流 Chūryū/Middling
  2. Jordan Sand
  3. pp. 67-77
  4. DOI: 10.1353/roj.2013.0007
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  1. 郷土 Kyōdo/Native Soil
  2. Satō Kenji, Jordan Sand
  3. pp. 78-86
  4. DOI: 10.1353/roj.2013.0012
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  1. 記憶 Kioku, 思い出 Omoide/Memory
  2. Mariko Asano Tamanoi
  3. pp. 87-98
  4. DOI: 10.1353/roj.2013.0016
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  1. サブライム Saburaimu/Sublime
  2. Alan Tansman
  3. pp. 99-108
  4. DOI: 10.1353/roj.2013.0020
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  1. 科学 Kagaku, 究理 Kyūri/Science
  2. Tsukahara Togo, Matthew Fargo, Jordan Sand
  3. pp. 109-115
  4. DOI: 10.1353/roj.2013.0024
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  1. 文学 Bungaku/Literature
  2. Dennis Washburn
  3. pp. 116-126
  4. DOI: 10.1353/roj.2013.0000
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  1. 洋画 Yōga/The Western Painting, National Painting, and Global Painting of Japan
  2. Bert Winther-Tamaki
  3. pp. 127-136
  4. DOI: 10.1353/roj.2013.0005
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  1. Excerpts from The Legends of Japan (1929)
  2. Yanagita Kunio, David Humphrey
  3. pp. 137-151
  4. DOI: 10.1353/roj.2013.0010
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  1. “Being” and “Doing” (1958)
  2. Maruyama Masao, Dennis Washburn
  3. pp. 152-169
  4. DOI: 10.1353/roj.2013.0015
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  1. Group Characteristics Based on “Place” (1967)
  2. Nakane Chie, Paul Roquet
  3. pp. 170-178
  4. DOI: 10.1353/roj.2013.0019
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  1. The First Stirrings of Folk Scholarship (Minkangaku) in Modern Japan (1983)
  2. Kano Masanao, David Henry
  3. pp. 179-190
  4. DOI: 10.1353/roj.2013.0023
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  1. Plates
  2. pp. 192-199
  3. DOI: 10.1353/roj.2013.0027
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  1. Voices of Mono-ha Artists: Contemporary Art in Japan, Circa 1970
  2. Reiko Tomii, Hayato Fujioka, Rika Iezumi Hiro, Reiko Tomii, Mika Yoshitake
  3. pp. 200-201
  4. DOI: 10.1353/roj.2013.0003
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  1. What Is Mono-ha?
  2. Mika Yoshitake
  3. pp. 202-213
  4. DOI: 10.1353/roj.2013.0008
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  1. Six Contradictions of Mono-ha
  2. Reiko Tomii
  3. pp. 214-222
  4. DOI: 10.1353/roj.2013.0013
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  1. Dialogue 1
  2. Sekine Nobuo, Koshimizu Susumu, Joan Kee, Rike Iezumi Hiro
  3. pp. 223-227
  4. DOI: 10.1353/roj.2013.0017
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  1. Dialogue 2
  2. Lee Ufan, Suga Kishio, Mika Yoshitake, Reiko Tomii, Mika Yoshitake
  3. pp. 228-231
  4. DOI: 10.1353/roj.2013.0021
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  1. Dialogue 3
  2. Haraguchi Noriyuki, Reiko Tomii, Rika Iezumi Hiro
  3. pp. 232-234
  4. DOI: 10.1353/roj.2013.0025
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  1. Roundtable
  2. Haraguchi Noriyuki, Koshimizu Susumu, Lee Ufan, Sekine Nobuo, Suga Kishio, Hollis Goodall, Rika Iezumi Hiro
  3. pp. 235-237
  4. DOI: 10.1353/roj.2013.0001
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  1. Beyond Being and Nothingness: On Sekine Nobuo (1970–71)
  2. Lee Ufan, Reiko Tomii
  3. pp. 238-261
  4. DOI: 10.1353/roj.2013.0006
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  1. From the Editors
  2. Mizuta Noriko, Miya Elise Mizuta, Haga Kōichi, Natta Phisphumvidhi
  3. p. v
  4. DOI: 10.1353/roj.2013.0004
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  1. On the Contributors
  2. pp. 262-268
  3. DOI: 10.1353/roj.2013.0011
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