1. ‘A Mayde, and Last of Youre Blood’: Galahad’s Asexuality and its Significance in Le Morte Darthur
  2. Megan Arkenberg
  3. pp. 3-22
  4. DOI: 10.1353/art.2014.0039
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  1. Feminine Desire and Conditional Misogyny in Arthur and Gorlagon
  2. Lindy Brady
  3. pp. 23-44
  4. DOI: 10.1353/art.2014.0041
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  1. Geoffrey of Monmouth’s Sources for the Cador and Camblan Narratives
  2. Edwin Pace
  3. pp. 45-78
  4. DOI: 10.1353/art.2014.0043
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  1. Interior Monologue in Malory
  2. Meredith Reynolds
  3. pp. 79-98
  4. DOI: 10.1353/art.2014.0033
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  1. Die Riddere metter Mouwen [The Knight with the Sleeve] and its Discourse on Personal Bonds
  2. Joseph M. Sullivan, Zoë Wyatt
  3. pp. 99-128
  4. DOI: 10.1353/art.2014.0035
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  1. Perceval’s Unknown Sin: Narrative Theology in Chrétien’s Story of the Grail
  2. Sylvester George Tan
  3. pp. 129-157
  4. DOI: 10.1353/art.2014.0037
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  1. The Round Table
  2. pp. 158-162
  3. DOI: 10.1353/art.2014.0038
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  1. Reading Laʒamon’s Brut: Approaches and Explorations ed. by Rosamund Allen, Jane Roberts, and Carole Weinberg (review)
  2. Jonathan Watson
  3. pp. 163-165
  4. DOI: 10.1353/art.2014.0040
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  1. A Companion to Fifteenth-Century English Poetry ed. by Julia Boffey and A.S.G. Edwards (review)
  2. Ashby Kinch
  3. pp. 165-167
  4. DOI: 10.1353/art.2014.0042
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  1. Relics and Writing in Late Medieval England by Robyn Malo (review)
  2. Cynthia Turner Camp
  3. pp. 169-170
  4. DOI: 10.1353/art.2014.0034
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  1. Fatherhood and its Representations in Middle English Texts by Rachel E. Moss (review)
  2. Russell A. Peck
  3. pp. 170-172
  4. DOI: 10.1353/art.2014.0036
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