1. Perfect and Imperfect Rhyme: Romances in the abab Tradition
  2. Judith A. Jefferson, Donka Minkova, Ad Putter
  3. pp. 631-651
  4. DOI: 10.1353/sip.2014.0026
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  1. The Soil’s Holy Bodies: The Art of Chorography in William of Malmesbury’s Gesta Pontificum Anglorum
  2. Sarah Breckenridge Wright
  3. pp. 652-679
  4. DOI: 10.1353/sip.2014.0028
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  1. Romancing the City: Margery Kempe in Rome
  2. Laura L. Howes
  3. pp. 680-690
  4. DOI: 10.1353/sip.2014.0030
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  1. The North-South Divide in Gorboduc: Fratricide Remembered and Forgotten
  2. Jaecheol Kim
  3. pp. 691-719
  4. DOI: 10.1353/sip.2014.0032
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  1. “Warlike pastimes” and the “sottell Snaek” of Rebellion: Bristol, Queen Elizabeth, and the Entertainments of 1574
  2. John M. Adrian
  3. pp. 720-737
  4. DOI: 10.1353/sip.2014.0034
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  1. “The light of simple veritie”: Mapping out Spenser’s Cosmography in “The Ruines of Time”
  2. Timothy Duffy
  3. pp. 738-756
  4. DOI: 10.1353/sip.2014.0023
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  1. The Banquet of the Common Sense: George Chapman’s Anti-Epyllion
  2. William P. Weaver
  3. pp. 757-785
  4. DOI: 10.1353/sip.2014.0025
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  1. “The Time When … The Place Where”: Chronotopes and Chronologies in Love’s Labour’s Lost
  2. Tara Collington, Philip Collington
  3. pp. 786-820
  4. DOI: 10.1353/sip.2014.0027
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  1. Calvinist Theology and “Country Divinity” in Marlowe’s Doctor Faustus
  2. James Ross Macdonald
  3. pp. 821-844
  4. DOI: 10.1353/sip.2014.0029
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  1. The Physician’s Religion and salus populi: The Manuscript Circulation and Print Publication of Religio Medici
  2. Kathryn Murphy
  3. pp. 845-874
  4. DOI: 10.1353/sip.2014.0031
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  1. Editor’s Note: Louis Round Wilson Prize for 2013
  2. Reid Barbour
  3. p. i
  4. DOI: 10.1353/sip.2014.0024
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  1. Contents of Volume 111
  2. pp. 876-878
  3. DOI: 10.1353/sip.2014.0033
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