1. Mouthing Off: The Negativity of Monologue in Mac Wellman’s A Murder of Crows
  2. Julia Jarcho
  3. pp. 293-314
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  1. Stage Freight: Labour and the Representability of Capitalism in Gerhart Hauptmann’s The Weavers
  2. Alisa Sniderman
  3. pp. 315-338
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  1. “High and Aloof”: Verse, Violence, and the Audience in Djuna Barnes’s The Antiphon
  2. Alex Goody
  3. pp. 339-363
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  1. The Historical Edge of Irony: Marco Millions and Its Chinese Adaptations
  2. Zhu Xuefeng
  3. pp. 364-384
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  1. Beyond the Marilisse and the Chestnut: Shattering Slavery’s Sexual Stereotypes in the Drama of Ina Césaire and Maryse Condé
  2. Emily Sahakian
  3. pp. 385-408
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  1. Salesman in Abu Dhabi: The Geopathology of Objects
  2. Kevin Riordan
  3. pp. 409-432
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  1. The Group Theatre: Passion, Politics, and Performance in the Depression Era by Helen Krich Chinoy (review)
  2. Mark Fearnow
  3. pp. 433-435
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  1. Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)
  2. Lisa Merrill
  3. pp. 435-437
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  1. Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)
  2. Nick Salvato
  3. pp. 438-440
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  1. Penumbra: The Premier Stage for African American Drama by Macelle Mahala (review)
  2. Monica White Ndounou
  3. pp. 440-442
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  1. The Performance of Nationalism: India, Pakistan, and the Memory of Partition by Jisha Menon (review)
  2. Pamela Lothspeich
  3. pp. 443-445
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  1. Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer (review)
  2. Ariel Watson
  3. pp. 445-447
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  1. Bernard Shaw and Totalitarianism: Longing for Utopia by Matthew Yde (review)
  2. Christopher Innes
  3. pp. 448-450
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  1. Note
  2. p. i
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