In this Issue

Table of Contents

Through Romanticism’s Looking Glass: Nostalgia, Taboos, and Cinematic Exorcisms in Josef Winkler’s The Cinemascreenwalker

Carola Daffner
pp. 1-17
DOI: https://doi.org/10.1353/oas.2014.0032
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From Purkersdorf to Peking: Tourism and Globalization in Ingeborg Bachmann’s Malina and Elfriede Jelinek’s Gier

Ian Thomas Fleishman
pp. 19-41
DOI: https://doi.org/10.1353/oas.2014.0035
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From the Island of the Blessed to Hades: Transforming Austria’s Global Image in Gerhard Roth’s Orkus

Anita McChesney
pp. 43-67
DOI: https://doi.org/10.1353/oas.2014.0038
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“Das wahre Programm der Zeit hieß: Jazz”: Zum Stellenwert des Jazz als (musik)kulturelle und literarische Chiffre in der österreichischen Zwischenkriegszeit

Primus-Heinz Kucher
pp. 69-92
DOI: https://doi.org/10.1353/oas.2014.0041
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“Als Wildwuchs der Mehrheitssprache”: Interview with Author Maja Haderlap

Jacqueline Vansant
pp. 93-102
DOI: https://doi.org/10.1353/oas.2014.0044
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Franz Kafkas Handschrift zum Schloss by Matthias Schuster (review)

Susanne Hochreiter
pp. 103-105
DOI: https://doi.org/10.1353/oas.2014.0047
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Auf Rilkes Wegen by Barbara L. Surowska (review)

Robert Weldon Whalen
pp. 105-107
DOI: https://doi.org/10.1353/oas.2014.0051
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The World as Metaphor in Robert Musil’s The Man without Qualities: Possibility as Reality by Genese Grill (review)

Margarete J. Landwehr
pp. 108-110
DOI: https://doi.org/10.1353/oas.2014.0034
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Stefan Zweig, “Ich wünschte, dass ich Ihnen ein wenig fehlte”: Briefe an Lotte Zweig 1934–1940 by Oliver Matuschek, Hrsg (review)

Eva Kuttenberg
pp. 110-112
DOI: https://doi.org/10.1353/oas.2014.0037
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Reports on Austrian Writers in 1945 and Lectures in American Exile by Raoul Auernheimer (review)

Pamela S. Saur
pp. 112-115
DOI: https://doi.org/10.1353/oas.2014.0040
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Nostalagia After Nazism: History, Home, and Affect in German and Austrian Literature and Film by Heidi Schlipphacke (review)

Jacqueline Vansant
pp. 115-117
DOI: https://doi.org/10.1353/oas.2014.0043
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Die Radiofamilie by Ingeborg Bachmann (review)

Katya Krylova
pp. 117-119
DOI: https://doi.org/10.1353/oas.2014.0046
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Das Leben ein Spiel, die Welt ein Theater: Spielformen des Welttheaters in den dramatischen Werken Samuel Becketts und Thomas Bernhards by Tine Koch (review)

Francis Michael Sharp
pp. 120-121
DOI: https://doi.org/10.1353/oas.2014.0050
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Burgtheater 1976–2009: Aufführungen und Besetzungen ed. by Katharina Fundulus (review)

Joseph W. Moser
pp. 122-123
DOI: https://doi.org/10.1353/oas.2014.0033
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Daniel Kehlmann und die lateinamerikanische Literatur by Joachim Rickes (review)

Stefan Kutzenberger
pp. 123-126
DOI: https://doi.org/10.1353/oas.2014.0036
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World Film Locations: Vienna ed. by Robert Dassanowsky (review)

Barbara Mennel
pp. 126-128
DOI: https://doi.org/10.1353/oas.2014.0039
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Zwischen Aufbegehren und Anpassung: Poetische Figurationen von Generationen und Generationserfahrungen in der österreichischen Literatur ed. by Joanna Drynda (review)

Christina Guenther
pp. 128-131
DOI: https://doi.org/10.1353/oas.2014.0042
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Cinema and Social Change in Germany and Austria ed. by Gabriele Mueller and James M. Skidmore (review)

Jennifer L. Good
pp. 131-134
DOI: https://doi.org/10.1353/oas.2014.0045
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Modern Austrian Prose Vol. II: Interpretations and Insights by Paul F. Dvorak (review)

Edward Muston
pp. 134-136
DOI: https://doi.org/10.1353/oas.2014.0048
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A Very Little Woman by Peter Henisch (review)

Martin Kalb
pp. 136-138
DOI: https://doi.org/10.1353/oas.2014.0031
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Contributors

pp. xi-xii
DOI: https://doi.org/10.1353/oas.2014.0049
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