1. Boccaccio’s Neapolitan Letter and Multilingualism in Angevin Naples
  2. Charmaine Lee
  3. pp. 7-21
  4. DOI: 10.1353/mdi.2013.0003
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  1. The Marquis of Saluzzo, or the Griselda Story Before It Was Hijacked: Calculating Matrimonial Odds in Decameron 10.10
  2. Teodolinda Barolini
  3. pp. 23-55
  4. DOI: 10.1353/mdi.2013.0005
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  1. Scienze della cittade: Rhetoric and Politics in the Sixth Day of the Decameron
  2. Ronald Martinez
  3. pp. 57-86
  4. DOI: 10.1353/mdi.2013.0007
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  1. Authorial Strategies and Manuscript Tradition: Boccaccio and the Decameron’s Early Diffusion
  2. Marco Cursi
  3. pp. 87-110
  4. DOI: 10.1353/mdi.2013.0009
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  1. Illuminating Boccaccio: Visual Translation in Early Fifteenth-Century France
  2. Anne D. Hedeman
  3. pp. 111-153
  4. DOI: 10.1353/mdi.2013.0010
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  1. Boccaccio, Ariosto, and the European Novel
  2. Roberto Bigazzi
  3. pp. 155-168
  4. DOI: 10.1353/mdi.2013.0000
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  1. The Apocryphal Boccaccio
  2. Victoria Kirkham
  3. pp. 169-220
  4. DOI: 10.1353/mdi.2013.0002
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  1. Marriage or Politics?: Dramatizing Griselda
  2. Janet Levarie Smarr
  3. pp. 221-239
  4. DOI: 10.1353/mdi.2013.0004
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  1. “Alcuna paroletta piú liberale”: Contemporary Women Authors Address the Decameron’s Obscenity
  2. F. Regina Psaki
  3. pp. 241-266
  4. DOI: 10.1353/mdi.2013.0006
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  1. Boccaccio and the Seventh Art: The Decameronian Films of Fellini, De Laurentiis, Pasolini, Woody Allen
  2. Millicent Marcus
  3. pp. 267-279
  4. DOI: 10.1353/mdi.2013.0008
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  1. Boccaccio at 700: Tales and Afterlives: An Introduction
  2. Olivia Holmes, Dana E. Stewart
  3. pp. 1-6
  4. DOI: 10.1353/mdi.2013.0001
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