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Table of Contents

  1. Emerson’s Bayonet
  2. Alan Lopez
  3. pp. 1-30
  4. DOI: https://doi.org/10.1353/arq.2014.0020
  5. restricted access
  1. Material Foundations: Retheorizing Native Writing and Social Construction in Leslie Marmon Silko’s Ceremony
  2. Matthew Mullins
  3. pp. 31-53
  4. DOI: https://doi.org/10.1353/arq.2014.0022
  5. restricted access
  1. “Come, we can go in”: Ekphrastic Thresholds in A. E. Stallings and Jorie Graham
  2. Jordan Tracy
  3. pp. 55-85
  4. DOI: https://doi.org/10.1353/arq.2014.0023
  5. restricted access
  1. Everything’s Interesting: Cormac McCarthy and the Social Construction of Reality
  2. Forrest G. Robinson
  3. pp. 87-127
  4. DOI: https://doi.org/10.1353/arq.2014.0016
  5. restricted access
  1. Versions of Yamoyden: Native Americans in Early Nineteenth-Century Narratives
  2. Masahiro Nakamura
  3. pp. 129-156
  4. DOI: https://doi.org/10.1353/arq.2014.0017
  5. restricted access
  1. Reading Rivalry, Race, and the Rise of a Southern Middle Class in Charles W. Chesnutt’s The Marrow of Tradition
  2. Rachel A. Wise
  3. pp. 157-184
  4. DOI: https://doi.org/10.1353/arq.2014.0018
  5. restricted access
  1. Erratum
  3. p. 186
  4. DOI: https://doi.org/10.1353/arq.2014.0021
  5. restricted access
  1. The Contributors
  3. p. 185
  4. DOI: https://doi.org/10.1353/arq.2014.0019
  5. restricted access