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Table of Contents

  1. From the Editor
  2. Kathy Foley
  3. p. iii
  4. DOI: https://doi.org/10.1353/atj.2014.0043
  5. restricted access

Articles

  1. Introduction: Global Encounters in Southeast Asian Performing Arts
  2. Matthew Isaac Cohen
  3. pp. 353-368
  4. DOI: https://doi.org/10.1353/atj.2014.0047
  5. restricted access
  1. No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds
  2. Kathy Foley
  3. pp. 369-398
  4. DOI: https://doi.org/10.1353/atj.2014.0031
  5. restricted access
  1. Seri Wangnaitham’s Phuchanasibtid and the Modernization of Thai Traditional Theatre
  2. Phakamas Jirajarupat
  3. pp. 417-438
  4. DOI: https://doi.org/10.1353/atj.2014.0038
  5. restricted access
  1. Buddhism and Thai Comic Performance
  2. Wankwan Polachan
  3. pp. 439-456
  4. DOI: https://doi.org/10.1353/atj.2014.0041
  5. restricted access
  1. Looking to the Future: Training a New Generation for Balinese Arja
  2. Bethany J. Collier
  3. pp. 457-480
  4. DOI: https://doi.org/10.1353/atj.2014.0045
  5. restricted access
  1. Wayang Hip Hop: Java’s Oldest Performance Tradition Meets Global Youth Culture
  2. Miguel Escobar Varela
  3. pp. 481-504
  4. DOI: https://doi.org/10.1353/atj.2014.0049
  5. restricted access
  1. Contemporary Wayang Beber in Central Java
  2. Marianna Lis
  3. pp. 505-523
  4. DOI: https://doi.org/10.1353/atj.2014.0029
  5. restricted access
  1. To Randai or Not to Randai
  2. Zainal Abd Latiff, Duratul Ain D. Jonathan
  3. pp. 545-557
  4. DOI: https://doi.org/10.1353/atj.2014.0037
  5. restricted access
  1. Dama Orchestra’s Shidaiqu Recontextualized in Theatre
  2. Loo Fung Ying, Loo Fung Chiat
  3. pp. 558-573
  4. DOI: https://doi.org/10.1353/atj.2014.0040
  5. restricted access
  1. Whither Rama in the Clear-Cut Forest: Ecodramaturgy in Southeast Asia
  2. Catherine Diamond
  3. pp. 574-593
  4. DOI: https://doi.org/10.1353/atj.2014.0044
  5. restricted access

Report

  1. Lighting Spectacles in East and Southeast Asia
  2. John A. Williams
  3. pp. 594-605
  4. DOI: https://doi.org/10.1353/atj.2014.0048
  5. restricted access

Founder of the Field

  1. Frank Hoff (1932–2013)
  2. Cody Poulton
  3. pp. 606-611
  4. DOI: https://doi.org/10.1353/atj.2014.0052
  5. restricted access

Performance Review

  1. Double Nora by Ueda Kuniyoshi, Mori Mitsuya, and Tsumura Reijirō (review)
  2. Yasutaka Maruki
  3. pp. 612-616
  4. DOI: https://doi.org/10.1353/atj.2014.0032
  5. restricted access

Book Reviews

  1. A Continuous Revolution: Making Sense of Cultural Revolution Culture by Barbara Mittler (review)
  2. Xing Fan
  3. pp. 617-620
  4. DOI: https://doi.org/10.1353/atj.2014.0036
  5. restricted access
  1. South Asian Festivals on the Move ed. by Ute Hüsken Axel Michaels (review)
  2. David Mason
  3. pp. 620-622
  4. DOI: https://doi.org/10.1353/atj.2014.0039
  5. restricted access
  1. Dramatic Action in Greek Tragedy and Noh: Reading with and Beyond Aristotle by Mae J. Smethurst (review)
  2. Judith Halebsky
  3. pp. 622-625
  4. DOI: https://doi.org/10.1353/atj.2014.0042
  5. restricted access
  1. Hijikata: Revolt of the Body by Stephen Barber (review)
  2. Rosemary Candelario
  3. pp. 625-628
  4. DOI: https://doi.org/10.1353/atj.2014.0046
  5. restricted access
  1. Another Stage: Kanze Nobumitsu and the Late Muromachi Noh Theater by Lim Beng Choo (review)
  2. Eric C. Rath
  3. pp. 631-635
  4. DOI: https://doi.org/10.1353/atj.2014.0030
  5. restricted access
  1. Shadow Woman: The Extraordinary Career of Pauline Benton by Grant Hayter-Menzies (review)
  2. Kathy Foley
  3. pp. 635-637
  4. DOI: https://doi.org/10.1353/atj.2014.0034
  5. restricted access

  1. Color Insert
  2. pp. Color Insert 1-Color Insert 8
  3. DOI: https://doi.org/10.1353/atj.2014.0051
  4. restricted access