1. Conrad, The Times, and Some Explorers
  2. Aaron Eastley
  3. pp. 91-125
  4. DOI: 10.1353/cnd.2014.0001
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  1. Nostromo’s Uncanny Light
  2. Susan E. Cook
  3. pp. 127-144
  4. DOI: 10.1353/cnd.2014.0003
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  1. The Secret Sharer, Nietzsche, and Conrad’s New Man
  2. Stanley W. Renner
  3. pp. 145-161
  4. DOI: 10.1353/cnd.2014.0005
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  1. Conrad, Efficiency, and the Varieties of Imperialism
  2. Valerie Kennedy
  3. pp. 163-189
  4. DOI: 10.1353/cnd.2014.0007
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  1. White Skin, White Masks: Joseph Conrad and the Face(s) of Imperial Manhood
  2. Jesse Oak Taylor
  3. pp. 191-210
  4. DOI: 10.1353/cnd.2014.0009
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  1. Broken Songs and Machine Noise in Joseph Conrad’s Early Work
  2. Brandon Walsh
  3. pp. 211-226
  4. DOI: 10.1353/cnd.2014.0011
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  1. Language as a Tool of Inclusion, Seclusion and Exclusion in Joseph Conrad’s “Falk”
  2. Ewa Kujawska-Lis
  3. pp. 227-239
  4. DOI: 10.1353/cnd.2014.0000
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  1. Joseph Conrad In Context ed. by Allan H. Simmons, and: A Historical Guide to Joseph Conrad ed. by John G. Peters (review)
  2. Jesse Oak Taylor
  3. pp. 241-245
  4. DOI: 10.1353/cnd.2014.0002
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  1. Front Lines of Modernism: Remapping the Great War in British Fiction by Mark D. Larabee (review)
  2. Celia M. Kingsbury
  3. pp. 246-248
  4. DOI: 10.1353/cnd.2014.0004
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  1. Tales of Unrest by Joseph Conrad (review)
  2. Dale Kramer
  3. pp. 249-253
  4. DOI: 10.1353/cnd.2014.0006
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  1. The Secret Agent by Joseph Conrad (review)
  2. Ellen Burton Harrington
  3. pp. 254-255
  4. DOI: 10.1353/cnd.2014.0008
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  1. Contributors’ Notes
  2. pp. 257-259
  3. DOI: 10.1353/cnd.2014.0010
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