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Table of Contents

  1. Remembering William Carlos Williams: Hugo Rodríguez Alcalá (1917–2007)
  2. Paul Mariani
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/wcw.2014.0001
  5. restricted access
  1. Walter Raleigh, through John Milton, according to William Carlos Williams
  2. Angelica Duran
  3. pp. 15-31
  4. DOI: https://doi.org/10.1353/wcw.2014.0003
  5. restricted access
  1. Ivory Towers and War Machines: William Carlos Williams and the Humanities under Fire
  2. Tony Barnstone
  3. pp. 33-52
  4. DOI: https://doi.org/10.1353/wcw.2014.0008
  5. restricted access
  1. Media, Mimesis, and the Figure of the Orphan in William Carlos Williams’s Life Along the Passaic River
  2. Jeffrey Westover
  3. pp. 53-77
  4. DOI: https://doi.org/10.1353/wcw.2014.0010
  5. restricted access
  1. La invención necesaria by William Carlos Williams (review)
  2. Dave Oliphant
  3. pp. 79-84
  4. DOI: https://doi.org/10.1353/wcw.2014.0000
  5. restricted access
  1. Transatlantic Avant-Gardes: Little Magazines and Localist Modernism by Eric B. White (review)
  2. Paul R. Cappucci
  3. pp. 84-88
  4. DOI: https://doi.org/10.1353/wcw.2014.0002
  5. restricted access
  1. Among the Nightmare Fighters: Americans Poets of World War II by Diederik Oostdijk (review)
  2. Brian Reed
  3. pp. 88-92
  4. DOI: https://doi.org/10.1353/wcw.2014.0004
  5. restricted access
  1. The Ethics of William Carlos Williams’s Poetry by Ian D. Copestake (review)
  2. John Lowney
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/wcw.2014.0005
  5. restricted access
  1. The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists by Helen Carr (review)
  2. Alec Marsh
  3. pp. 98-103
  4. DOI: https://doi.org/10.1353/wcw.2014.0007
  5. restricted access