In this Issue

Table of Contents

A Note from the Editor

D. J. Hopkins
pp. ix-x
DOI: https://doi.org/10.1353/tt.2014.0031
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Essays

Casting as Queer Dramaturgy: A Case Study of Sarah Ruhl’s Adaptation of Virginia Woolf’s Orlando

Meghan Brodie
pp. 167-174
DOI: https://doi.org/10.1353/tt.2014.0034
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For a Skeptical Dramaturgy

Hana Worthen
pp. 175-186
DOI: https://doi.org/10.1353/tt.2014.0037
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Dramaturging the “Truth” in The Exonerated: Ethics, Counter-Text, and Activism in Documentary Theatre

Christine Simonian Bean
pp. 187-197
DOI: https://doi.org/10.1353/tt.2014.0040
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Kinesis as Mimesis: On the Application of Martial Arts to Dramaturgical Practice

Michael Chemers, Adam Versényi
pp. 199-204
DOI: https://doi.org/10.1353/tt.2014.0042
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The Goal of the Emancipated Spectator: A Dramaturg and a Museum Educator’s Facilitation of a Theatre and Museum Collaboration

Kristin Leahey, Ilana Bruton
pp. 205-209
DOI: https://doi.org/10.1353/tt.2014.0028
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Blueprints, Informatics, Predictive Analytics: Tools of the Twenty-first-Century Dramaturg as Performance Geneticist

Jules Odendahl-James
pp. 211-223
DOI: https://doi.org/10.1353/tt.2014.0030
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Feminist Dramaturgy: Notes from No-(Wo)man’s Land

Laura Hope, Philippa Kelly
pp. 225-237
DOI: https://doi.org/10.1353/tt.2014.0033
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Critical Proximity: A Case for Using the First Person as a Production Dramaturg

Shelley Orr
pp. 239-245
DOI: https://doi.org/10.1353/tt.2014.0036
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Notes from the Field

Ecologies of Dramaturgy

Beth Blickers, Brian Quirt
pp. 249-253
DOI: https://doi.org/10.1353/tt.2014.0039
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Dancing Performance Generating Systems

Pil Hansen
pp. 255-260
DOI: https://doi.org/10.1353/tt.2014.0041
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Forging New Dramaturgy Tools: Lomogram Image Cards

Judith Rudakoff
pp. 261-267
DOI: https://doi.org/10.1353/tt.2014.0027
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Contemporary Circus Dramaturgy: An Interview with Louis Patrick Leroux

CarlosAlexis Cruz
pp. 269-273
DOI: https://doi.org/10.1353/tt.2014.0029
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Book Reviews

What’s the Story: Essays about Art, Theater and Storytelling by Anne Bogart (review)

B. Slade Billew
pp. 275-276
DOI: https://doi.org/10.1353/tt.2014.0032
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The Theatrical Firearms Handbook by Kevin Inouye (review)

Chelsea Pace
pp. 276-277
DOI: https://doi.org/10.1353/tt.2014.0035
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Directing in Musical Theatre: An Essential Guide by Joe Deer (review)

Kevin Calcamp
pp. 277-278
DOI: https://doi.org/10.1353/tt.2014.0038
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