Theatre Topics

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Casting as Queer Dramaturgy: A Case Study of Sarah Ruhl’s Adaptation of Virginia Woolf’s Orlando

Meghan Brodie

pp. 167-174

DOI: https://doi.org/10.1353/tt.2014.0034

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For a Skeptical Dramaturgy

Hana Worthen

pp. 175-186

DOI: https://doi.org/10.1353/tt.2014.0037

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Dramaturging the “Truth” in The Exonerated: Ethics, Counter-Text, and Activism in Documentary Theatre

Christine Simonian Bean

pp. 187-197

DOI: https://doi.org/10.1353/tt.2014.0040

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Kinesis as Mimesis: On the Application of Martial Arts to Dramaturgical Practice

Michael Chemers, Adam Versényi

pp. 199-204

DOI: https://doi.org/10.1353/tt.2014.0042

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The Goal of the Emancipated Spectator: A Dramaturg and a Museum Educator’s Facilitation of a Theatre and Museum Collaboration

Kristin Leahey, Ilana Bruton

pp. 205-209

DOI: https://doi.org/10.1353/tt.2014.0028

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Blueprints, Informatics, Predictive Analytics: Tools of the Twenty-first-Century Dramaturg as Performance Geneticist

Jules Odendahl-James

pp. 211-223

DOI: https://doi.org/10.1353/tt.2014.0030

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Feminist Dramaturgy: Notes from No-(Wo)man’s Land

Laura Hope, Philippa Kelly

pp. 225-237

DOI: https://doi.org/10.1353/tt.2014.0033

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Critical Proximity: A Case for Using the First Person as a Production Dramaturg

Shelley Orr

pp. 239-245

DOI: https://doi.org/10.1353/tt.2014.0036

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Ecologies of Dramaturgy

Beth Blickers, Brian Quirt

pp. 249-253

DOI: https://doi.org/10.1353/tt.2014.0039

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Dancing Performance Generating Systems

Pil Hansen

pp. 255-260

DOI: https://doi.org/10.1353/tt.2014.0041

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Forging New Dramaturgy Tools: Lomogram Image Cards

Judith Rudakoff

pp. 261-267

DOI: https://doi.org/10.1353/tt.2014.0027

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Contemporary Circus Dramaturgy: An Interview with Louis Patrick Leroux

CarlosAlexis Cruz

pp. 269-273

DOI: https://doi.org/10.1353/tt.2014.0029

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What’s the Story: Essays about Art, Theater and Storytelling by Anne Bogart (review)

B. Slade Billew

pp. 275-276

DOI: https://doi.org/10.1353/tt.2014.0032

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The Theatrical Firearms Handbook by Kevin Inouye (review)

Chelsea Pace

pp. 276-277

DOI: https://doi.org/10.1353/tt.2014.0035

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Directing in Musical Theatre: An Essential Guide by Joe Deer (review)

Kevin Calcamp

pp. 277-278

DOI: https://doi.org/10.1353/tt.2014.0038

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A Note from the Editor

D. J. Hopkins

pp. ix-x

DOI: https://doi.org/10.1353/tt.2014.0031

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