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Table of Contents

  1. Casting as Queer Dramaturgy: A Case Study of Sarah Ruhl’s Adaptation of Virginia Woolf’s Orlando
  2. Meghan Brodie
  3. pp. 167-174
  4. DOI: https://doi.org/10.1353/tt.2014.0034
  5. restricted access
  1. For a Skeptical Dramaturgy
  2. Hana Worthen
  3. pp. 175-186
  4. DOI: https://doi.org/10.1353/tt.2014.0037
  5. restricted access
  1. Dramaturging the “Truth” in The Exonerated: Ethics, Counter-Text, and Activism in Documentary Theatre
  2. Christine Simonian Bean
  3. pp. 187-197
  4. DOI: https://doi.org/10.1353/tt.2014.0040
  5. restricted access
  1. Kinesis as Mimesis: On the Application of Martial Arts to Dramaturgical Practice
  2. Michael Chemers, Adam Versényi
  3. pp. 199-204
  4. DOI: https://doi.org/10.1353/tt.2014.0042
  5. restricted access
  1. The Goal of the Emancipated Spectator: A Dramaturg and a Museum Educator’s Facilitation of a Theatre and Museum Collaboration
  2. Kristin Leahey, Ilana Bruton
  3. pp. 205-209
  4. DOI: https://doi.org/10.1353/tt.2014.0028
  5. restricted access
  1. Blueprints, Informatics, Predictive Analytics: Tools of the Twenty-first-Century Dramaturg as Performance Geneticist
  2. Jules Odendahl-James
  3. pp. 211-223
  4. DOI: https://doi.org/10.1353/tt.2014.0030
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  1. Feminist Dramaturgy: Notes from No-(Wo)man’s Land
  2. Laura Hope, Philippa Kelly
  3. pp. 225-237
  4. DOI: https://doi.org/10.1353/tt.2014.0033
  5. restricted access
  1. Critical Proximity: A Case for Using the First Person as a Production Dramaturg
  2. Shelley Orr
  3. pp. 239-245
  4. DOI: https://doi.org/10.1353/tt.2014.0036
  5. restricted access
  1. Ecologies of Dramaturgy
  2. Beth Blickers, Brian Quirt
  3. pp. 249-253
  4. DOI: https://doi.org/10.1353/tt.2014.0039
  5. restricted access
  1. Dancing Performance Generating Systems
  2. Pil Hansen
  3. pp. 255-260
  4. DOI: https://doi.org/10.1353/tt.2014.0041
  5. restricted access
  1. Forging New Dramaturgy Tools: Lomogram Image Cards
  2. Judith Rudakoff
  3. pp. 261-267
  4. DOI: https://doi.org/10.1353/tt.2014.0027
  5. restricted access
  1. Contemporary Circus Dramaturgy: An Interview with Louis Patrick Leroux
  2. CarlosAlexis Cruz
  3. pp. 269-273
  4. DOI: https://doi.org/10.1353/tt.2014.0029
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  1. What’s the Story: Essays about Art, Theater and Storytelling by Anne Bogart (review)
  2. B. Slade Billew
  3. pp. 275-276
  4. DOI: https://doi.org/10.1353/tt.2014.0032
  5. restricted access
  1. The Theatrical Firearms Handbook by Kevin Inouye (review)
  2. Chelsea Pace
  3. pp. 276-277
  4. DOI: https://doi.org/10.1353/tt.2014.0035
  5. restricted access
  1. Directing in Musical Theatre: An Essential Guide by Joe Deer (review)
  2. Kevin Calcamp
  3. pp. 277-278
  4. DOI: https://doi.org/10.1353/tt.2014.0038
  5. restricted access
  1. A Note from the Editor
  2. D. J. Hopkins
  3. pp. ix-x
  4. DOI: https://doi.org/10.1353/tt.2014.0031
  5. restricted access