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In this Issue

Table of Contents

  1. The Politics of New African Marriage in Segregationist South Africa
  2. Meghan Healy-Clancy
  3. pp. 7-28
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  1. The White Wedding: Affect and Economy in South Africa in the Early Twentieth Century
  2. Natasha Erlank
  3. pp. 29-50
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  1. Marriage and Bridewealth (Ilobolo) in Contemporary Zulu Society
  2. Dorrit Posel, Stephanie Rudwick
  3. pp. 51-72
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  1. African Marriage Regulation and the Remaking of Gendered Authority in Colonial Natal, 1843–1875
  2. Nafisa Essop Sheik
  3. pp. 73-92
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  1. Queer Agency in Kenya’s Digital Media
  2. Evan Mwangi
  3. pp. 93-113
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  1. Hegemonic African Masculinities and Men’s Heterosexual Lives: Some Uses for Homophobia
  2. Kopano Ratele
  3. pp. 115-130
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  1. Sakawa Rituals and Cyberfraud in Ghanaian Popular Video Movies
  2. Joseph Oduro-Frimpong
  3. pp. 131-147
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  1. An Interview with Henri Alleg
  2. Patricia-Pia Célérier
  3. pp. 149-162
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  1. Being-in-the-World in the Global Age: Marginal Spaces as Alternative Places in the Belgian–Moroccan Transnational Cityscape of Les Barons
  2. Valérie K. Orlando
  3. pp. 163-181
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  1. Waging War and Peace in Africa
  2. Jim Lance
  3. pp. 183-189
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  1. Framing a Continent: Issues and Contexts in Postcolonial African Film
  2. Valérie K. Orlando
  3. pp. 189-198
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  1. Chiefs, Priests, and Praise-Singers: History, Politics, and Land Ownership in Northern Ghana by Wyatt MacGaffey (review)
  2. Karl J. Haas
  3. pp. 199-200
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  1. Pastoralism in Africa: Past, Present and Future eds. by Michael Bollig, Michael Schnegg, and Hans-Peter Wotzka (review)
  2. Richard Waller
  3. pp. 201-203
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  1. In the Cause of Freedom: Radical Black Internationalism from Harlem to London, 1917–1939 by Minkah Makalani, and: Pan-Africanism and Communism: The Communist International, Africa and the Diaspora, 1919–1939 by Hakim Adi (review)
  2. Adam Ewing
  3. pp. 203-207
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  1. Trade Unions in West Africa: Historical and Contemporary Perspectives ed. by Craig Phelan (review)
  2. Stephen J. Rockel
  3. pp. 207-209
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  1. Approaching African History by Michael Brett (review)
  2. Thomas Spear
  3. pp. 209-211
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  1. Japan–Africa Relations by Tukumbi Lumumba-Kasongo (review)
  2. Masafumi Nagao
  3. pp. 211-212
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  1. Folklore, Gender, and AIDS in Malawi: No Secret Under the Sun by Anika Wilson (review)
  2. Ellen Grünkemeier
  3. pp. 213-214
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  1. Balancing Men, Morals, and Money: Women’s Agency Between HIV and Security in a Malawian Village by Janneke Verheijen (review)
  2. Adam Ashforth
  3. pp. 214-216
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  1. Religion and AIDs in Africa by Jenny Trinitapoli and Alexander Weinreb (review)
  2. Nicolette D. Manglos-Weber
  3. pp. 216-218
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  1. Women’s Voices from West Africa: An Anthology of Songs from the Sahel eds. by Aissatou G. Sidikou and Thomas A. Hale (review)
  2. Debra S. Boyd
  3. pp. 220-222
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  1. African Art and Agency in the Workshop eds. by Sidney Littlefield Kasfir and Till Förster, and: African Art, Interviews, Narratives: Bodies of Knowledge at Work eds. by Joanna Grabski and Carol Magee (review)
  2. Pascal James Imperato
  3. pp. 222-224
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  1. Writing Revolt: An Engagement with African Nationalism, 1957–67 by Terence Ranger (review)
  2. Mickie Mwanzia Koster
  3. pp. 224-226
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  1. L’Esprit Prêt-à-Partager directed by Jamika Ajalon (review)
  2. Valérie K. Orlando
  3. pp. 227-228
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  1. Maison Tropicale directed by Manthia Diawara (review)
  2. Valérie K. Orlando
  3. pp. 228-230
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  1. Memory Books directed by Christa Graf (review)
  2. Manouchka Kelly Labouba
  3. pp. 231-232
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  1. An African Election directed by Jarreth Merz (review)
  2. Manouchka Kelly Labouba
  3. pp. 232-234
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  1. Horses of God directed by Nabil Ayouch (review)
  2. Jonathan Smolin, Josef Gugler
  3. pp. 234-235
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  1. The Pirogue directed by Moussa Touré (review)
  2. Leif Brottem
  3. pp. 235-237
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  1. Dry Season directed by Mahamat-Saleh Haroun (review)
  2. Dayna Oscherwitz
  3. pp. 237-239
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  1. An Uncommon Woman directed by Dao Abdoulaye (review)
  2. Abosede Georges
  3. pp. 239-241
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  1. Confusion Na Wa directed by Kenneth Gyang (review)
  2. Jonathan Haynes
  3. pp. 241-243
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  1. Sweetheart directed by Michael Matthews (review)
  2. Derilene Marco
  3. pp. 243-245
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  1. L’Armée du Salut directed by Abdellah Taïa (review)
  2. Valérie K. Orlando
  3. pp. 245-250
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  1. Introduction
  2. Meghan Healy-Clancy
  3. pp. 1-5
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  1. African Language-Literatures: New Perspectives on IsiZulu Fiction and Popular Black Television Series by Innocentia Jabulisile Mhlambi (review)
  2. Moradewun Adejunmobi
  3. pp. 218-220
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  1. Books Received
  3. pp. 251-252
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