In this Issue

Table of Contents

Giovanni Battista De Vecchis and the Theory of Melodic Accent from Zarlino to Zingarelli

Nicholas Baragwanath
pp. 157-181
restricted access

Alexandra Palace: Music, Leisure, and the Cultivation of ‘Higher Civilization’ in the Late Nineteenth Century

Paul Watt, Alison Rabinovici
pp. 183-212
restricted access

Parables of the Old Men and the Young: The Multifarious Modernisms of Erwin Schulhoff’s String Quartets

Yoel Greenberg
pp. 213-249
restricted access

Negotiating Liveness: Technology, Economics, and The Artwork in Lso Live

Ananay Aguilar
pp. 251-272
restricted access

Mäzene — Manuskripte — Modi: Untersuchungen zu My Ladye Nevells Booke by Tihomir Popović (review)

Oliver Neighbour
pp. 273-278
restricted access

Johann David Heinichen’s Grundliche Anweisung (1711): Comprehensive Instruction on Basso Continuo, with Historical Biographies Translated by Benedikt Brilmayer and Casey Mongoven (review)

David Schulenberg
pp. 278-280
restricted access

Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)

Marcia J Citron
pp. 280-282
restricted access

Experiencing Mozart: A Listener’s Companion by David Schroeder (review)

John Irving
pp. 282-284
restricted access

Mozart’s Ghosts: Haunting the Halls of Musical Culture by Mark Everist (review)

Simon P. Keefe
pp. 285-287
restricted access

Amico: The Life of Giovanni Battista Viotti by Warwick Lister (review)

Simon McVeigh
pp. 287-289
restricted access

Beethoven’s ‘Eroica’ Sketchbook: A Critical Edition Transcribed, ed. and commentary by Lewis Lockwood and Alan Gosman (review)

Nicholas Marston
pp. 289-291
restricted access

The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology by Babette Babich (review)

Huw Hallam
pp. 291-294
restricted access

Hamish MacCunn (1868–1916): A Musical Life by Jennifer L. Oates (review)

Alasdair Jamieson
pp. 294-296
restricted access

Brahms beyond Mastery by Robert Pascall (review)

Margaret Notley
pp. 296-298
restricted access

Brahms in der Meininger Tradition. Seine Sinfonien in der Bezeichnung von Fritz Steinbach ed. by Walter Blume (review)

Michael Musgrave
pp. 298-299
restricted access

La Dramaturgie de Gustave Charpentier by Michela Niccolai (review)

Clair Rowden
pp. 299-302
restricted access

Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)

David Fanning
pp. 302-304
restricted access

Allegro appassionato by Jean Wiéner (review)

Caroline Rae
pp. 304-305
restricted access

Stravinsky’s Piano: Genesis of a Musical Language by Graham Griffiths (review)

Maureen A. Carr
pp. 305-308
restricted access

Sonic Modernity: Representing Sound in Literature, Culture and the Arts by Sam Halliday (review)

Christin Hoene
pp. 308-311
restricted access

Klezmer’s Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany by Magdalena Waligórska (review)

Abigail Wood
pp. 311-313
restricted access

Death Metal and Music Criticism: Analysis at the Limits by Michelle Phillipov (review)

Robert Upton
pp. 313-314
restricted access

Gender in Chinese Music ed. by Rachel Harris, Rowan Pease, and Shzr Ee Tan (review)

Marc L. Moskowitz
pp. 314-316
restricted access

Empire of Song: Europe and Nation in the Eurovision Song Contest ed. by Dafni Tragaki (review)

Ivan Raykoff
pp. 316-318
restricted access

The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening by Steven G. Laitz (review)

Rohan Stewart-MacDonald
pp. 318-321
restricted access

Recipients of ‘Music & Letters’ Awards

p. 322
restricted access

‘Music & Letters’ Awards

p. 324
restricted access

Authors of Articles in this Issue

p. 324
restricted access

Books Received

pp. 325-327
restricted access