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From: Music and Letters

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  Volume 95, Number 2, May 2014

Table of Contents

Articles

Giovanni Battista De Vecchis and the Theory of Melodic Accent from Zarlino to Zingarelli

pp. 157-181
Nicholas Baragwanath
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Alexandra Palace: Music, Leisure, and the Cultivation of ‘Higher Civilization’ in the Late Nineteenth Century

pp. 183-212
Paul Watt, Alison Rabinovici
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Parables of the Old Men and the Young: The Multifarious Modernisms of Erwin Schulhoff’s String Quartets

pp. 213-249
Yoel Greenberg
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Negotiating Liveness: Technology, Economics, and The Artwork in Lso Live

pp. 251-272
Ananay Aguilar
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Reviews

Mäzene — Manuskripte — Modi: Untersuchungen zu My Ladye Nevells Booke by Tihomir Popović (review)

pp. 273-278
Oliver Neighbour
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Johann David Heinichen’s Grundliche Anweisung (1711): Comprehensive Instruction on Basso Continuo, with Historical Biographies Translated by Benedikt Brilmayer and Casey Mongoven (review)

pp. 278-280
David Schulenberg
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Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)

pp. 280-282
Marcia J Citron
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Experiencing Mozart: A Listener’s Companion by David Schroeder (review)

pp. 282-284
John Irving
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Mozart’s Ghosts: Haunting the Halls of Musical Culture by Mark Everist (review)

pp. 285-287
Simon P. Keefe
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Amico: The Life of Giovanni Battista Viotti by Warwick Lister (review)

pp. 287-289
Simon McVeigh
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Beethoven’s ‘Eroica’ Sketchbook: A Critical Edition Transcribed, ed. and commentary by Lewis Lockwood and Alan Gosman (review)

pp. 289-291
Nicholas Marston
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The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology by Babette Babich (review)

pp. 291-294
Huw Hallam
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Hamish MacCunn (1868–1916): A Musical Life by Jennifer L. Oates (review)

pp. 294-296
Alasdair Jamieson
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Brahms beyond Mastery by Robert Pascall (review)

pp. 296-298
Margaret Notley
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Brahms in der Meininger Tradition. Seine Sinfonien in der Bezeichnung von Fritz Steinbach ed. by Walter Blume (review)

pp. 298-299
Michael Musgrave
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La Dramaturgie de Gustave Charpentier by Michela Niccolai (review)

pp. 299-302
Clair Rowden
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Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)

pp. 302-304
David Fanning
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Allegro appassionato by Jean Wiéner (review)

pp. 304-305
Caroline Rae
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Stravinsky’s Piano: Genesis of a Musical Language by Graham Griffiths (review)

pp. 305-308
Maureen A. Carr
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Sonic Modernity: Representing Sound in Literature, Culture and the Arts by Sam Halliday (review)

pp. 308-311
Christin Hoene
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Klezmer’s Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany by Magdalena Waligórska (review)

pp. 311-313
Abigail Wood
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Death Metal and Music Criticism: Analysis at the Limits by Michelle Phillipov (review)

pp. 313-314
Robert Upton
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Gender in Chinese Music ed. by Rachel Harris, Rowan Pease, and Shzr Ee Tan (review)

pp. 314-316
Marc L. Moskowitz
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Empire of Song: Europe and Nation in the Eurovision Song Contest ed. by Dafni Tragaki (review)

pp. 316-318
Ivan Raykoff
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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening by Steven G. Laitz (review)

pp. 318-321
Rohan Stewart-MacDonald
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Recipients of ‘Music & Letters’ Awards

p. 322
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‘Music & Letters’ Awards

p. 324
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Authors of Articles in this Issue

p. 324
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Books Received

pp. 325-327
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Research Areas

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