Project MUSE - Music and Letters-Volume 95, Number 2, May 2014

Giovanni Battista De Vecchis and the Theory of Melodic Accent from Zarlino to Zingarelli

pp. 157-181

Nicholas Baragwanath

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Alexandra Palace: Music, Leisure, and the Cultivation of ‘Higher Civilization’ in the Late Nineteenth Century

pp. 183-212

Paul Watt, Alison Rabinovici

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Parables of the Old Men and the Young: The Multifarious Modernisms of Erwin Schulhoff’s String Quartets

pp. 213-249

Yoel Greenberg

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Negotiating Liveness: Technology, Economics, and The Artwork in Lso Live

pp. 251-272

Ananay Aguilar

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Mäzene — Manuskripte — Modi: Untersuchungen zu My Ladye Nevells Booke by Tihomir Popović (review)

pp. 273-278

Oliver Neighbour

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Johann David Heinichen’s Grundliche Anweisung (1711): Comprehensive Instruction on Basso Continuo, with Historical Biographies Translated by Benedikt Brilmayer and Casey Mongoven (review)

pp. 278-280

David Schulenberg

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Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)

pp. 280-282

Marcia J Citron

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Experiencing Mozart: A Listener’s Companion by David Schroeder (review)

pp. 282-284

John Irving

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Mozart’s Ghosts: Haunting the Halls of Musical Culture by Mark Everist (review)

pp. 285-287

Simon P. Keefe

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Amico: The Life of Giovanni Battista Viotti by Warwick Lister (review)

pp. 287-289

Simon McVeigh

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Beethoven’s ‘Eroica’ Sketchbook: A Critical Edition Transcribed, ed. and commentary by Lewis Lockwood and Alan Gosman (review)

pp. 289-291

Nicholas Marston

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The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology by Babette Babich (review)

pp. 291-294

Huw Hallam

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Hamish MacCunn (1868–1916): A Musical Life by Jennifer L. Oates (review)

pp. 294-296

Alasdair Jamieson

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Brahms beyond Mastery by Robert Pascall (review)

pp. 296-298

Margaret Notley

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Brahms in der Meininger Tradition. Seine Sinfonien in der Bezeichnung von Fritz Steinbach ed. by Walter Blume (review)

pp. 298-299

Michael Musgrave

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La Dramaturgie de Gustave Charpentier by Michela Niccolai (review)

pp. 299-302

Clair Rowden

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Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)

pp. 302-304

David Fanning

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Allegro appassionato by Jean Wiéner (review)

pp. 304-305

Caroline Rae

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Stravinsky’s Piano: Genesis of a Musical Language by Graham Griffiths (review)

pp. 305-308

Maureen A. Carr

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Sonic Modernity: Representing Sound in Literature, Culture and the Arts by Sam Halliday (review)

pp. 308-311

Christin Hoene

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Klezmer’s Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany by Magdalena Waligórska (review)

pp. 311-313

Abigail Wood

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Death Metal and Music Criticism: Analysis at the Limits by Michelle Phillipov (review)

pp. 313-314

Robert Upton

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Gender in Chinese Music ed. by Rachel Harris, Rowan Pease, and Shzr Ee Tan (review)

pp. 314-316

Marc L. Moskowitz

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Empire of Song: Europe and Nation in the Eurovision Song Contest ed. by Dafni Tragaki (review)

pp. 316-318

Ivan Raykoff

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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening by Steven G. Laitz (review)

pp. 318-321

Rohan Stewart-MacDonald

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Recipients of ‘Music & Letters’ Awards

p. 322

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‘Music & Letters’ Awards

p. 324

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Authors of Articles in this Issue

p. 324

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Books Received

pp. 325-327

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Volume 95, Number 2, May 2014

Table of Contents

Articles

Giovanni Battista De Vecchis and the Theory of Melodic Accent from Zarlino to Zingarelli

Alexandra Palace: Music, Leisure, and the Cultivation of ‘Higher Civilization’ in the Late Nineteenth Century

Parables of the Old Men and the Young: The Multifarious Modernisms of Erwin Schulhoff’s String Quartets

Negotiating Liveness: Technology, Economics, and The Artwork in Lso Live

Reviews

Mäzene — Manuskripte — Modi: Untersuchungen zu My Ladye Nevells Booke by Tihomir Popović (review)

Johann David Heinichen’s Grundliche Anweisung (1711): Comprehensive Instruction on Basso Continuo, with Historical Biographies Translated by Benedikt Brilmayer and Casey Mongoven (review)

Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)

Experiencing Mozart: A Listener’s Companion by David Schroeder (review)

Mozart’s Ghosts: Haunting the Halls of Musical Culture by Mark Everist (review)

Amico: The Life of Giovanni Battista Viotti by Warwick Lister (review)

Beethoven’s ‘Eroica’ Sketchbook: A Critical Edition Transcribed, ed. and commentary by Lewis Lockwood and Alan Gosman (review)

The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology by Babette Babich (review)

Hamish MacCunn (1868–1916): A Musical Life by Jennifer L. Oates (review)

Brahms beyond Mastery by Robert Pascall (review)

Brahms in der Meininger Tradition. Seine Sinfonien in der Bezeichnung von Fritz Steinbach ed. by Walter Blume (review)

La Dramaturgie de Gustave Charpentier by Michela Niccolai (review)

Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)

Allegro appassionato by Jean Wiéner (review)

Stravinsky’s Piano: Genesis of a Musical Language by Graham Griffiths (review)

Sonic Modernity: Representing Sound in Literature, Culture and the Arts by Sam Halliday (review)

Klezmer’s Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany by Magdalena Waligórska (review)

Death Metal and Music Criticism: Analysis at the Limits by Michelle Phillipov (review)

Gender in Chinese Music ed. by Rachel Harris, Rowan Pease, and Shzr Ee Tan (review)

Empire of Song: Europe and Nation in the Eurovision Song Contest ed. by Dafni Tragaki (review)

The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening by Steven G. Laitz (review)

Recipients of ‘Music & Letters’ Awards

‘Music & Letters’ Awards

Authors of Articles in this Issue

Books Received

Research Areas

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