In this Issue
Formerly Cinema Journal, through volume 57, no.4, Summer 2018 (E-ISSN: 1527-2087, Print ISSN: 0009-7101).
JCMS: Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). JCMS's basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. We are committed to the aesthetic, political, and cultural interpretation of these media and their production, circulation, and reception.
To that end, JCMS is dedicated to intellectual diversity of all kinds. We publish critical inquiry into the global, national, and local circulation of a wide variety of media. We seek to promote a range of approaches to film and media studies and attendant fields, including (but not limited to) digital media, sound studies, visual culture, video game studies, fan studies, and avant-garde and experimental film and media practices. We do not adhere to any methodological approach to media studies, nor do we focus on particular emphases in the field. The journal is open to all areas of humanities-oriented scholarship in media studies, including digital humanities.
In addition to feature articles, each issue of JCMS includes an “In Focus” dossier examining a topic of timely concern to SCMS members and book reviews of recently published texts in the field.
published by
University of Texas Pressviewing issue
Volume 53, Number 4, Summer 2014Table of Contents
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View Sony and Local-Language Productions: Conglomerate Hollywood’s Strategy of Flexible Localization for the Global Film Market
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Sony and Local-Language Productions: Conglomerate Hollywood’s Strategy of Flexible Localization for the Global Film Market
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In Focus: African American Caucus
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View Black Film, New Media Industries, and BAMMs (Black American Media Moguls) in the Digital Media Ecology
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Black Film, New Media Industries, and BAMMs (Black American Media Moguls) in the Digital Media Ecology
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View “Who’s ‘We,’ White Man?”: Scholarship, Teaching, and Identity Politics in African American Media Studies
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“Who’s ‘We,’ White Man?”: Scholarship, Teaching, and Identity Politics in African American Media Studies
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Book Reviews
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View Watching While Black: Centering the Television of Black Audiences ed. by Beretta E. Smith-Shomade (review)
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Watching While Black: Centering the Television of Black Audiences ed. by Beretta E. Smith-Shomade (review)
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View Presenting Oprah Winfrey, Her Films, and African American Literature ed. by Tara Green (review)
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Presenting Oprah Winfrey, Her Films, and African American Literature ed. by Tara Green (review)
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View Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman (review)
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Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman (review)
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| ISSN | 1527-2087 |
|---|---|
| Print ISSN | 0009-7101 |
| Launched on MUSE | 2014-07-20 |
| Open Access | No |
Copyright
Copyright © University of Texas Press.
