1. “Poscia, più che ‘l dolor, poté ‘l digiuno”: Translation and Interpretation in Inferno XXXIII
  2. Julia M. Cozzarelli
  3. pp. 151-160
  4. DOI: 10.1353/rmc.2014.0039
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  1. Imperio y autobiografía en El vellocino de oro, de Lope de Vega
  2. Jesús Botello
  3. pp. 161-168
  4. DOI: 10.1353/rmc.2014.0043
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  1. La nieve negra de Sor Juana: de Anaxágoras a Enrique Lihn, pasando por San Agustín y Ramírez de Prado
  2. Ignacio Arellano
  3. pp. 169-176
  4. DOI: 10.1353/rmc.2014.0025
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  1. El villancico de negro y su pertinente abordaje sociológico y literario
  2. Octavio Páez Granados
  3. pp. 177-185
  4. DOI: 10.1353/rmc.2014.0028
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  1. Gongora’s Sonnet on El Greco’s Tomb: A Reconsideration
  2. Gene W. Dubois
  3. pp. 187-194
  4. DOI: 10.1353/rmc.2014.0031
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  1. Estrategias de venta y literatura: las ilustraciones de portada en las secuelas decimonónicas de Don Juan Tenorio
  2. Montserrat Ribao Pereira
  3. pp. 195-201
  4. DOI: 10.1353/rmc.2014.0034
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  1. La tradición poética lusófona del amor y del destierro en la poesía de Rosalía de Castro en lengua castellana
  2. Robert Simon
  3. pp. 203-210
  4. DOI: 10.1353/rmc.2014.0037
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  1. Marcel Proust et Gustave Moreau: du symbolisme à l’impressionnisme
  2. Yae-Jin Yoo
  3. pp. 211-219
  4. DOI: 10.1353/rmc.2014.0041
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  1. Le chrétien et l’engagement politique dans Rome n’est plus dans Rome de Gabriel Marcel
  2. John H. Mazaheri
  3. pp. 221-233
  4. DOI: 10.1353/rmc.2014.0023
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  1. Carmen’s Illusive Technicolor Fantasy in Miguel Delibes’s Cinco horas con Mario
  2. Christopher C. Oechler
  3. pp. 235-241
  4. DOI: 10.1353/rmc.2014.0027
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  1. Eating Dis/Orders: Questioning the Alimentary American Dream in Luis Rafael Sánchez’s La guaracha del Macho Camacho
  2. Elizabeth Huard
  3. pp. 243-252
  4. DOI: 10.1353/rmc.2014.0030
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  1. La ficción difícil: la escritura memorialista de Antonio Muñoz Molina
  2. Andrés Pérez-Simón
  3. pp. 253-261
  4. DOI: 10.1353/rmc.2014.0033
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  1. Una mirada histórica y cultural del movimiento LGBTTTI mexicano
  2. Juan Carlos Rocha Osornio
  3. pp. 263-273
  4. DOI: 10.1353/rmc.2014.0036
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  1. Modernism and the New Spain. Britain, Cosmopolitan Europe, and Literary History by Gayle Rogers (review)
  2. María A. Salgado
  3. pp. 275-277
  4. DOI: 10.1353/rmc.2014.0040
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  1. Crónica de Flores y Blancaflor ed. by David Arbesú (review)
  2. Ryan Giles
  3. pp. 277-279
  4. DOI: 10.1353/rmc.2014.0022
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  1. Buenas noches, American Culture: Latina/o Aesthetics of Night by, María DeGuzmá (review)
  2. Betsy A. Sandlin
  3. pp. 279-280
  4. DOI: 10.1353/rmc.2014.0026
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  1. Modelos y prácticas en el cuento hispanoamericano. Arreola, Borges, Cortázar by Pablo Brescia (review)
  2. Anca Koczkas
  3. pp. 281-283
  4. DOI: 10.1353/rmc.2014.0029
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  1. The Novels of Carmen Conde: Toward an Expression of Feminine Subjectivity by Lisa Nalbone (review)
  2. Ana Corbalán
  3. pp. 283-285
  4. DOI: 10.1353/rmc.2014.0032
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  1. Materias dispuestas: Juan Villoro ante la crítica ed. by José Ruisánchez, Oswaldo Zavala Ramón (review)
  2. Vinodh Venkatesh
  3. pp. 286-288
  4. DOI: 10.1353/rmc.2014.0035
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  1. Embodying Latino Masculinities: Producing Masculatinidad by Jennifer Domino Rudolph (review)
  2. Thomas N. Phillips II
  3. pp. 288-291
  4. DOI: 10.1353/rmc.2014.0038
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  1. Octavio Paz: el amor como idea by Dante Salgado (review)
  2. Francisco Laguna-Correa
  3. pp. 293-295
  4. DOI: 10.1353/rmc.2014.0024
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