From: The Opera Quarterly

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  Volume 29, Numbers 3-4, Summer-Autumn 2013

Table of Contents

Opera and Philosophy

A Note from the Guest Editors

pp. 183-185
Tomas McAuley, Nanette Nielsen
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Parahuman Wagnerism

pp. 186-202
Gary Tomlinson
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Small Change When We’Are to Bodies Gone?: Response to Gary Tomlinson

pp. 203-211
Christopher Norris
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“Even Money Decays”: Transience and Hope in Adorno, Benjamin, and Wozzeck

pp. 212-243
Stephen Decatur Smith
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Adorno, Time, and Musical Time: Response to Stephen Decatur Smith

pp. 244-252
Max Paddison
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Nietzsche, Tristan und Isolde, and the Analysis of Wagnerian Rhythm

pp. 253-276
Katherine Fry
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Nietzsche, Wagner, Decadence: Response to Katherine Fry

pp. 277-281
Aaron Ridley
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Kivy and the “Problem of Opera”

pp. 282-301
James O. Young
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“But Emotion Is the Problem . . . !”: Response to James O. Young

pp. 302-306
Michael Spitzer
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The Voice and Early Modern Historiography: Reading Johannes Kepler’s Harmony of the World

pp. 307-327
Jonathan Owen Clark
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Historical Alternatives to a Poststructuralist Reading of Johannes Kepler’s Harmony of the World: Response to Jonathan Owen Clark

pp. 328-334
Michael Fend
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Articulations

Responses to Alain Badiou’s Five Lessons on Wagner, edited by Stephen Decatur Smith

Badiou and Wagner: From Fidelity to Prophecy

pp. 335-361
Stephen Decatur Smith
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The Universal Form of Badiou’s Wagner

pp. 342-348
Michael Gallope
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Badiou’s Wagner: Variations on the Generic

pp. 349-354
Brian Kane
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Rethinking Community and Difference in Parsifal

pp. 355-360
Naomi Waltham-Smith
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Badiou and the Subject of Parsifal

pp. 361-367
Kenneth Reinhard
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Review

Performance

“These People”: On Sebastian Baumgarten’s Don Giovanni

pp. 368-376
Julia Sirmons
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