1. A Note from the Guest Editors
  2. Tomas McAuley, Nanette Nielsen
  3. pp. 183-185
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  1. Parahuman Wagnerism
  2. Gary Tomlinson
  3. pp. 186-202
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  1. Small Change When We’Are to Bodies Gone?: Response to Gary Tomlinson
  2. Christopher Norris
  3. pp. 203-211
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  1. “Even Money Decays”: Transience and Hope in Adorno, Benjamin, and Wozzeck
  2. Stephen Decatur Smith
  3. pp. 212-243
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  1. Adorno, Time, and Musical Time: Response to Stephen Decatur Smith
  2. Max Paddison
  3. pp. 244-252
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  1. Nietzsche, Tristan und Isolde, and the Analysis of Wagnerian Rhythm
  2. Katherine Fry
  3. pp. 253-276
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  1. Nietzsche, Wagner, Decadence: Response to Katherine Fry
  2. Aaron Ridley
  3. pp. 277-281
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  1. Kivy and the “Problem of Opera”
  2. James O. Young
  3. pp. 282-301
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  1. “But Emotion Is the Problem . . . !”: Response to James O. Young
  2. Michael Spitzer
  3. pp. 302-306
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  1. The Voice and Early Modern Historiography: Reading Johannes Kepler’s Harmony of the World
  2. Jonathan Owen Clark
  3. pp. 307-327
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  1. Historical Alternatives to a Poststructuralist Reading of Johannes Kepler’s Harmony of the World: Response to Jonathan Owen Clark
  2. Michael Fend
  3. pp. 328-334
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  1. Badiou and Wagner: From Fidelity to Prophecy
  2. Stephen Decatur Smith
  3. pp. 335-361
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  1. The Universal Form of Badiou’s Wagner
  2. Michael Gallope
  3. pp. 342-348
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  1. Badiou’s Wagner: Variations on the Generic
  2. Brian Kane
  3. pp. 349-354
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  1. Rethinking Community and Difference in Parsifal
  2. Naomi Waltham-Smith
  3. pp. 355-360
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  1. Badiou and the Subject of Parsifal
  2. Kenneth Reinhard
  3. pp. 361-367
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  1. “These People”: On Sebastian Baumgarten’s Don Giovanni
  2. Julia Sirmons
  3. pp. 368-376
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