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Table of Contents

  1. Intent and Culpability: A Legal Review of the Shooting in “The Short Happy Life of Francis Macomber”
  2. Kenneth K. Brandt, Alicia Mischa Renfroe
  3. pp. 8-29
  4. DOI: https://doi.org/10.1353/hem.2014.0002
  5. restricted access
  1. The Nasty Mess: Hemingway, Italian Fascism, and the New Review Controversy of 1932
  2. Mark Cirino
  3. pp. 30-47
  4. DOI: https://doi.org/10.1353/hem.2014.0010
  5. restricted access
  1. Hemingway’s Early Education in the Short Story: A Bibliographic Essay on Brander Matthews and Twenty Volumes of Stories at Windemere
  2. David L. Anderson
  3. pp. 48-65
  4. DOI: https://doi.org/10.1353/hem.2014.0013
  5. restricted access
  1. Hemingway at Rambouillet
  2. Robert Fuller
  3. pp. 66-80
  4. DOI: https://doi.org/10.1353/hem.2014.0016
  5. restricted access
  1. Awkwardness and Appreciation in Death in the Afternoon
  2. David Wyatt
  3. pp. 81-98
  4. DOI: https://doi.org/10.1353/hem.2014.0003
  5. restricted access
  1. Who is “The Destructive Type”?: Re-Reading Literary Jealousy and Destruction in The Garden of Eden
  2. Carl P. Eby
  3. pp. 99-106
  4. DOI: https://doi.org/10.1353/hem.2014.0005
  5. restricted access
  1. Language’s Limits and a Doubtful Nature: Ernest Hemingway’s “Big Two-Hearted River” and Friedrich Nietzsche’s Foreign Language
  2. Michelle Balaev
  3. pp. 107-118
  4. DOI: https://doi.org/10.1353/hem.2014.0007
  5. restricted access
  1. A Source Text for the Opening Passage of A Farewell to Arms
  2. Bryan Giemza
  3. pp. 119-125
  4. DOI: https://doi.org/10.1353/hem.2014.0015
  5. restricted access
  1. “‘Somewhat Rough Withal’: Hemingway’s Personal Copy of Old English Ballads (English I, Oak Park High School)”
  2. Hilary Kovar Justice
  3. pp. 126-135
  4. DOI: https://doi.org/10.1353/hem.2014.0001
  5. restricted access
  1. Irene and Ernest: A Love Story?
  2. Donald A. Daiker
  3. pp. 136-142
  4. DOI: https://doi.org/10.1353/hem.2014.0012
  5. restricted access
  1. Ernest Hemingway and Paul de Kruif
  2. Jan Peter Verhave
  3. pp. 143-150
  4. DOI: https://doi.org/10.1353/hem.2014.0004
  5. restricted access
  1. Hemingway’s Dark Night: Catholic Influences and Intertextualities in the Work of Ernest Hemingway by Matthew C. Nickel (review)
  2. Michael Von Cannon
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/hem.2014.0006
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  1. The Hemingway Short Story: A Study in Craft for Writers and Readers by Robert Paul Lamb (review)
  2. Ellen Andrews Knodt
  3. pp. 154-158
  4. DOI: https://doi.org/10.1353/hem.2014.0008
  5. restricted access
  1. Ernest Hemingway: Thought in Action by Mark Cirino Madison (review)
  2. Joseph Cheatle
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/hem.2014.0014
  5. restricted access
  1. Pip-Pip to Hemingway in Something from Marge by Georgianna Main (review)
  2. Matthew C. Nickel
  3. pp. 161-164
  4. DOI: https://doi.org/10.1353/hem.2014.0000
  5. restricted access
  1. Current Bibliography
  2. Alyssa C. Adkins, Maureen Harrington, Annemarie Thompson, Carolyn Wadle
  3. pp. 165-181
  4. DOI: https://doi.org/10.1353/hem.2014.0009
  5. restricted access
  1. News from the Hemingway Collection
  2. Susan Wrynn
  3. pp. 182-183
  4. DOI: https://doi.org/10.1353/hem.2014.0011
  5. restricted access