1. Traveling with the Théâtre du Soleil’s Mad Hope: Les Naufragés du Fol Espoir
  2. Judith G. Miller
  3. pp. 22-35
  4. DOI: 10.1353/wfs.2014.0003
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  1. Staging the Writing Self: The Character of the Artist in Hélène Cixous’s Theater
  2. Elizabeth Lindley
  3. pp. 36-47
  4. DOI: 10.1353/wfs.2014.0006
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  1. Staging the Impossible Femme Forte in Madame de Maintenon’s Dramatic Conversations
  2. Theresa Varney Kennedy
  3. pp. 62-75
  4. DOI: 10.1353/wfs.2014.0012
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  1. Women and the Exercise of Power in Eighteenth-Century Tragedy
  2. Perry Gethner
  3. pp. 76-85
  4. DOI: 10.1353/wfs.2014.0015
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  1. Power and the Salonnière in Madame Ancelot’s L’Hôtel de Rambouillet
  2. Joyce Carlton Johnston
  3. pp. 86-97
  4. DOI: 10.1353/wfs.2014.0018
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  1. Staging a Heroine in George Sand: The Path from Cosima to Claudie
  2. Arline Cravens
  3. pp. 98-105
  4. DOI: 10.1353/wfs.2014.0002
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  1. Reconfiguring Family Legitimacy: Olympe de Gouge’s L’Esclavage des Noirs
  2. Janie Vanpée
  3. pp. 106-116
  4. DOI: 10.1353/wfs.2014.0005
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  1. Lupo Liverani, adaptation du Damné pour doute de Tirso de Molina et testament théosophique de George Sand
  2. Catherine Masson
  3. pp. 117-130
  4. DOI: 10.1353/wfs.2014.0008
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  1. Esquisse de révolte : Libre ! de Jeanne Herter-Eymond au Théâtre Féministe en 1898
  2. Katia Viot-Southard
  3. pp. 131-142
  4. DOI: 10.1353/wfs.2014.0011
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  1. Mode et société dans le théâtre de Colette
  2. Catherine Schmitz
  3. pp. 143-157
  4. DOI: 10.1353/wfs.2014.0014
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  1. Powerful Narratives in Contemporary Quebec Dramaturgy by Women
  2. Louise Forsythe
  3. pp. 158-172
  4. DOI: 10.1353/wfs.2014.0017
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  1. Staging her People’s Voice: Ina Césaire
  2. Christiane Makward
  3. pp. 173-182
  4. DOI: 10.1353/wfs.2014.0001
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  1. Théâtralisation et quête de liberté par procuration chez trois dramaturges antillaises
  2. Carole Edwards
  3. pp. 183-193
  4. DOI: 10.1353/wfs.2014.0004
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  1. Memory as Performance: Fatima Gallaire’s Rimm la Gazelle and Molly des Sables
  2. Jane E. Evans
  3. pp. 194-204
  4. DOI: 10.1353/wfs.2014.0007
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  1. Le Couteau dans la plaie: Théâtre témoignage, théâtre thérapie dans Trames de Gerty Dambury
  2. Maria-Luisa Ruiz
  3. pp. 205-217
  4. DOI: 10.1353/wfs.2014.0010
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  1. Maud Robart—Au-delà du théâtre
  2. Maria Adamowicz-Hariasz
  3. pp. 218-231
  4. DOI: 10.1353/wfs.2014.0013
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  1. “La mise en scène du journal crypté de l’écriture”: The Theater of Noëlle Renaude
  2. Mary Noonan
  3. pp. 232-245
  4. DOI: 10.1353/wfs.2014.0016
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  1. Introduction
  2. Joyce Johnston
  3. pp. 15-21
  4. DOI: 10.1353/wfs.2014.0000
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  1. Notes on Contributors
  2. pp. 246-250
  3. DOI: 10.1353/wfs.2014.0019
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