1. Against Exemplarity: W. G. Sebald and the Problem of Connection
  2. Timothy Bewes
  3. pp. 1-31
  4. DOI: 10.1353/cli.2014.0005
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  1. The New Criticism and the Nashville Sound: William Faulkner’s The Town and Rock and Roll
  2. Florence Dore
  3. pp. 32-57
  4. DOI: 10.1353/cli.2014.0007
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  1. No Homelike Place: The Lesson of History in Kazuo Ishiguro’s An Artist of the Floating World
  2. Timothy Wright
  3. pp. 58-88
  4. DOI: 10.1353/cli.2014.0009
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  1. Mourning the Modernist Undead: Robert Duncan’s Company and the Felt Silence of the Lost Generation
  2. Sarah Ehlers
  3. pp. 89-117
  4. DOI: 10.1353/cli.2014.0000
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  1. Juliana Spahr’s Ecopoetics: Ecologies and Politics of the Refrain
  2. Dianne Chisholm
  3. pp. 118-147
  4. DOI: 10.1353/cli.2014.0002
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  1. Men without Work: White Working-Class Masculinity in Deindustrialization Fiction
  2. Sherry Lee Linkon
  3. pp. 148-167
  4. DOI: 10.1353/cli.2014.0003
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  1. The Poetics of Black Aesthetics
  2. Kimberly Lamm
  3. pp. 168-181
  4. DOI: 10.1353/cli.2014.0004
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  1. Global Special Delivery
  2. Christopher Holmes
  3. pp. 182-191
  4. DOI: 10.1353/cli.2014.0006
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  1. Our Aesthetic Condition
  2. Jason Gladstone
  3. pp. 192-201
  4. DOI: 10.1353/cli.2014.0008
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  1. Estranged Pain: Anne Carson’s Red Doc>
  2. Roy Scranton
  3. pp. 202-214
  4. DOI: 10.1353/cli.2014.0010
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  1. Contributors
  2. pp. 215-216
  3. DOI: 10.1353/cli.2014.0001
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