1. Relics of Bioart: Ethics and Messianic Aesthetics in Performance Documentation
  2. Adele Senior
  3. pp. 183-205
  4. DOI: 10.1353/tj.2014.0046
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  1. The Theatre and Its Screen Double
  2. Johannes Birringer
  3. pp. 207-225
  4. DOI: 10.1353/tj.2014.0052
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  1. Misogyny, Maids, and Murderesses: Toward a Feminist Reappraisal of Jean Genet’s Les Bonnes
  2. Lara Cox
  3. pp. 227-240
  4. DOI: 10.1353/tj.2014.0058
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  1. “Come and see what we do”: Contemporary Migrant Performances in Athens, Greece
  2. Hypatia Vourloumis
  3. pp. 241-255
  4. DOI: 10.1353/tj.2014.0064
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  1. Testimonium by Matthew Goulish (review)
  2. Ira S. Murfin
  3. pp. 257-260
  4. DOI: 10.1353/tj.2014.0069
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  1. Apátrida, Doscientos Años y Unos Meses by Rafael Spregelburd (review)
  2. Anna White-Nockleby
  3. pp. 260-261
  4. DOI: 10.1353/tj.2014.0038
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  1. 12-Spartenhaus Directed by Vegard Vinge, Ida Müller, and Trond Reinholdtsen (review)
  2. Andrew Friedman
  3. pp. 262-263
  4. DOI: 10.1353/tj.2014.0044
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  1. Ciara by David Harrower, and: The Events by David Greig (review)
  2. Talya Kingston
  3. pp. 264-266
  4. DOI: 10.1353/tj.2014.0050
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  1. Head of Passes by Tarell Alvin McCraney (review)
  2. Isaiah Matthew Wooden
  3. pp. 266-268
  4. DOI: 10.1353/tj.2014.0056
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  1. Hungry Woman by Josefina López (review)
  2. Nathan Martinez Pogar
  3. pp. 268-270
  4. DOI: 10.1353/tj.2014.0062
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  1. Love in Afghanistan by Charles Randolph-Wright (review)
  2. Yuko Kurahashi
  3. pp. 270-272
  4. DOI: 10.1353/tj.2014.0067
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  1. The Tallest Tree in the Forest by Daniel Beaty (review)
  2. Jocelyn L. Buckner
  3. pp. 272-274
  4. DOI: 10.1353/tj.2014.0036
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  1. Ri Kōran by Asari Keita (review)
  2. Sang Mi Park
  3. pp. 274-276
  4. DOI: 10.1353/tj.2014.0042
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  1. The Jungle Book directed by Mary Zimmerman (review)
  2. Joshua Williams
  3. pp. 276-278
  4. DOI: 10.1353/tj.2014.0048
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  1. The Two Character Play by Tennessee Williams (review)
  2. Manuel Betancourt
  3. pp. 278-279
  4. DOI: 10.1353/tj.2014.0054
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  1. Mary Stuart by Friedrich Schiller, and: Romeo and Juliet by William Shakespeare (review)
  2. Owen E. Brady
  3. pp. 279-283
  4. DOI: 10.1353/tj.2014.0060
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  1. The Nance by Douglas Carter Beane (review)
  2. Ray Schultz
  3. pp. 283-286
  4. DOI: 10.1353/tj.2014.0065
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  1. Matsukaze by Toshio Hosokawa, and: Shun-Kin Directed by Simon McBurney (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 286-290
  4. DOI: 10.1353/tj.2014.0070
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  1. Theatre and the Vanguards of the Arab Spring
  2. Hala Nassar
  3. pp. 291-300
  4. DOI: 10.1353/tj.2014.0039
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  1. Religion, Theatre, and Performance: Acts of Faith Edited by Lance Gharavi (review)
  2. Carolyn D. Roark
  3. pp. 301-302
  4. DOI: 10.1353/tj.2014.0045
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  1. Sensational Devotion: Evangelical Performance in Twenty-First-Century America by Jill Stevenson (review)
  2. Megan Sanborn Jones
  3. pp. 302-303
  4. DOI: 10.1353/tj.2014.0051
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  1. Wonder of Wonders: A Cultural History of Fiddler on the Roof by Alisa Solomon (review)
  2. Barrie Gelles
  3. pp. 303-304
  4. DOI: 10.1353/tj.2014.0057
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  1. Theatrical Liberalism: Jews and Popular Entertainment in America by Andrea Most (review)
  2. Stacy Wolf
  3. pp. 304-306
  4. DOI: 10.1353/tj.2014.0063
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  1. Theatre and War: Theatrical Responses Since 1991 by Jeanne Colleran (review)
  2. Jenna L. Kubly
  3. pp. 306-307
  4. DOI: 10.1353/tj.2014.0068
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  1. Staging Age: The Performance of Age in Theatre, Dance, and Film Edited by Valerie Barnes Lipscomb and Leni Marshall (review)
  2. Julia Henderson
  3. pp. 307-308
  4. DOI: 10.1353/tj.2014.0037
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  1. The Politics of Rape: Sexual Atrocity, Propaganda Wars, and The Restoration Stage by Jennifer L. Airey (review)
  2. Kristina Straub
  3. pp. 308-310
  4. DOI: 10.1353/tj.2014.0043
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  1. An Actress Prepares: Women and “The Method” by Rosemary Malague (review)
  2. Lesley Ferris
  3. pp. 310-311
  4. DOI: 10.1353/tj.2014.0049
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  1. Performing Queer Latinidad: Dance, Sexulity, Politics by Ramón H. Rivera-Servera (review)
  2. Kristyl Dawn Tift
  3. pp. 311-312
  4. DOI: 10.1353/tj.2014.0055
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  1. David Mamet and American Macho by Arthur Holmberg (review)
  2. David Gorshein
  3. pp. 312-314
  4. DOI: 10.1353/tj.2014.0061
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  1. Taking it to the Bridge: Music as Performance Edited by Nicholas Cook and Richard Pettengill (review)
  2. Todd J. Coulter
  3. pp. 314-315
  4. DOI: 10.1353/tj.2014.0066
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  1. The Post-Traumatic Theatre of Grotowski and Kantor: History and Holocaust in Akropolis and Dead Class by Magda Romanska (review)
  2. Mary Karen Dahl
  3. pp. 315-316
  4. DOI: 10.1353/tj.2014.0035
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  1. The Piscator Notebook by Judith Malina (review)
  2. Dean Wilcox
  3. pp. 316-318
  4. DOI: 10.1353/tj.2014.0041
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  1. As If: An Autobiography, Volume 1 by Herbert Blau, and: Reality Principles: From The Absurd to The Virtual by Herbert Blau (review)
  2. Iris Smith Fischer
  3. pp. 318-319
  4. DOI: 10.1353/tj.2014.0047
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  1. Doctoral Projects in Progress in Theatre Arts, 2014
  2. James Beekman Bush, Andrew Gibb, Troy Matthew Lescher
  3. pp. 331-335
  4. DOI: 10.1353/tj.2014.0059
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  1. Editorial Comment
  2. Joanne Tompkins
  3. pp. ix-x
  4. DOI: 10.1353/tj.2014.0040
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  1. Books Received
  3. pp. 320-328
  4. DOI: 10.1353/tj.2014.0053
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