1. The Poet as Prophet: Ending The Temple
  2. Adele Davidson
  3. pp. 1-22
  4. DOI: 10.1353/ghj.2011.0003
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  1. “Let Wits Contest”: George Herbert and the English Sonnet Sequence
  2. Debra Rienstra
  3. pp. 23-44
  4. DOI: 10.1353/ghj.2011.0005
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  1. Approaching the Table: Invitation and the Structure of Herbert’s “The Church”
  2. Paul Dyck
  3. pp. 45-54
  4. DOI: 10.1353/ghj.2011.0006
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  1. God and the Poet Transposed: The Thou-I Chiasmus in George Herbert’s Poetry
  2. Kensei Nishikawa
  3. pp. 55-71
  4. DOI: 10.1353/ghj.2011.0007
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  1. From “Employment” (I) to “Grace”: George Herbert’s Restructuring of Work
  2. Robert Kilgore
  3. pp. 72-81
  4. DOI: 10.1353/ghj.2011.0008
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  1. Finding Wisdom: George Herbert’s Response to Proverbs 9 in “Church-musick,” “Christmas,” and “Love” (III)
  2. Jennifer A. Newton
  3. pp. 82-96
  4. DOI: 10.1353/ghj.2011.0000
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  1. Unitive Theology: George Herbert’s Revision of “The H. Communion”
  2. Esther Gilman Richey
  3. pp. 97-109
  4. DOI: 10.1353/ghj.2011.0009
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  1. Keeping the Major Feasts in George Herbert’s The Temple
  2. Jeannie Judge
  3. pp. 110-126
  4. DOI: 10.1353/ghj.2011.0002
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  1. Solomon’s Temple, “The British Church,” and the Central Role of the Heart in The Temple
  2. Chauncey Wood
  3. pp. 127-141
  4. DOI: 10.1353/ghj.2011.0004
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  1. Introduction
  2. Chauncey Wood
  3. pp. v-vii
  4. DOI: 10.1353/ghj.2011.0001
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