1. Invented Plainsongs in Keyboard Settings Ascribed to Tomkins and Gibbons
  2. Alan Brown
  3. pp. 1-16
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  1. Fidelity to ‘Fidelio’: The Convention of Unwritten Appoggiaturas in Beethoven’s Only Opera
  2. Stephen Mould
  3. pp. 17-38
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  1. Bantock and Southey: Musical Otherness and Fatalism in Thalaba the Destroyer
  2. Michael Allis
  3. pp. 39-69
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  1. Eastern European National Music as Concept and Commodity at the Turn of the Nineteenth Century
  2. Catherine Mayes
  3. pp. 70-91
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  1. The Musician in Literature in the Age of Bach by Stephen Rose (review)
  2. John Butt
  3. pp. 94-96
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  1. The Rival Sirens: Performance and Identity on Handel’s Operatic Stage by Suzanne Aspden (review)
  2. Berta Joncus
  3. pp. 96-99
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  1. The Politics of Opera in Handel’s Britain by Thomas McGeary (review)
  2. William Weber
  3. pp. 99-102
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  1. Italian Opera in the Age of the American Revolution by Pierpaolo Polzonetti (review)
  2. Chloe Valenti
  3. pp. 102-104
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  1. Opera Indigene: Re/presenting First Nations and Indigenous Cultures ed. by Pamela Karantonis, Dylan Robinson (review)
  2. Olivia Bloechl
  3. pp. 104-107
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  1. Pražský divadelní almanach: 230 let Stavovského divadla by Ondřej Černý et al. (review)
  2. John Tyrrell
  3. pp. 107-108
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  1. The Sonata by Thomas Schmidt-Beste (review)
  2. Rohan H. Stewart-MacDonald
  3. pp. 108-111
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  1. Liszt as Transcriber by Jonathan Kregor (review)
  2. Andrew Haringer
  3. pp. 111-114
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  1. Liszt et la France: Musique, culture et société dans l’Europe du XIXesiècle ed. by Malou Haine, Nicolas Dufetel (review)
  2. David A. Powell
  3. pp. 114-116
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  1. Victory over the Sun: The World’s First Futurist Opera ed. by Rosamund Bartlett, Sarah Dadswell (review)
  2. Nicholas Till
  3. pp. 116-119
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  1. Toscanini in Britain by Christopher Dyment (review)
  2. David Gutman
  3. pp. 119-120
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  1. Radio’s Civic Ambition: American Broadcasting and Democracy in the 1930s by David Goodman (review)
  2. Beth E. Levy
  3. pp. 125-129
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  1. There’s a Place for Us: The Musical Theatre Works of Leonard Bernstein by Helen Smith (review)
  2. Sophie Redfern
  3. pp. 129-131
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  1. The Philosopher’s Touch: Sartre, Nietzsche, and Barthes at the Piano by François Noudelmann (review)
  2. Jonathan Dunsby
  3. pp. 132-135
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  1. John Kirkpatrick, American Music and the Printed Page by Drew Massey (review)
  2. Geoffrey Block
  3. pp. 135-137
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  1. The Power of Robert Simpson: A Biography by Donald Macauley (review)
  2. Arnold Whittall
  3. pp. 138-140
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  1. The Art of Record Production: An Introductory Reader for a New Academic Field ed. by Simon Frith, Simon Zagorski-Thomas (review)
  2. Myles Eastwood
  3. pp. 140-143
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  1. The Globalization of Irish Traditional Song Performance by Susan H. Motherway (review)
  2. Ronnie Gibson
  3. pp. 143-145
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  1. Music and Globalization: Critical Encounters ed. by Bob W. White (review)
  2. Monique M. Ingalls
  3. pp. 145-147
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  1. Correspondence
  2. Michael Talbot
  3. pp. 148-149
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  1. ‘Music & Letters’ Awards
  2. p. 151
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  1. Authors of Articles in this Issue
  2. p. 151
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