In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published byThe MIT Press
viewing issueVolume 5, Number 1, 1980 (PAJ 13)
Table of Contents
- pp. 7-8
- Children of Paradise: Working with Kids
- pp. 61-74
- The Molière Cycle of Antoine Vitez
- pp. 75-80
- Vitez on Molibre: Freeing the Actor
- pp. 81-86
- Re-Visioning Opera
- pp. 87-95
- The Hunting Party
- pp. 101-131
- Shakespeare: The Globe and the World by S. Schoenbaum, and: Gay Theatre Alliance Directory of Gay Plays ed. by Terry Helbing, and: Just Play: Beckett’s Theatre by Ruby Cohn, and: The End of the World by Maurice Valency, and: The Theatre of Black Americans (Volume I). Roots & Rituals/The Image Makers ed. by Errol Hill, and: The Theatre of Black Americans (Volume 11). The Presenters/The Participators ed. by Errol Hill, and: Actors on Acting ed. by Toby Cole and Helen Krich Chinoy, and: The Dance Makers: Conversations with American Choreographers by Elinor Rogosin, and: Kabuki Encyclopedia. An English-Language Adaptation of Kabuki Jiten by Samuel L. Leiter, and: Horváth: A Study by Ian Huish (review)
- pp. 132-135
- Letter from China
- p. 136
- Thomas Bernhard: An Introduction
- pp. 96-100
Copyright © Performing Arts Journal, Inc and its authors.