In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published by
The MIT Pressviewing issue
Volume 8, Number 1, 1984 (PAJ 22)Table of Contents
Editorial
Articles
pp. 52-58
Performance Notes
pp. 68-72pp. 77-80
View Summary of El Veneno Del Teatro by Rodolf Sirera, and: Hystérie by Opera-Collage: Grupo de Acción Instrumental, and: Isabel, Reina De Corazones by Ricardo López Aranda, and: El Carnaval De Un Reino by José Martín Recuerda (review)
Download El Veneno Del Teatro by Rodolf Sirera, and: Hystérie by Opera-Collage: Grupo de Acción Instrumental, and: Isabel, Reina De Corazones by Ricardo López Aranda, and: El Carnaval De Un Reino by José Martín Recuerda (review)
- Save El Veneno Del Teatro by Rodolf Sirera, and: Hystérie by Opera-Collage: Grupo de Acción Instrumental, and: Isabel, Reina De Corazones by Ricardo López Aranda, and: El Carnaval De Un Reino by José Martín Recuerda (review)
pp. 119-133
Books and Company
pp. 135-136
pp. 136-137
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View Summary of The Amazing Decade: Women and Performance Art in America 1970–1980 ed. by Moira Roth, and: Women and Performance: A Journal of Feminist Theory (review)
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The Amazing Decade: Women and Performance Art in America 1970–1980 ed. by Moira Roth, and: Women and Performance: A Journal of Feminist Theory (review)
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| ISSN | 1086-3281 |
|---|---|
| Print ISSN | 0735-8393 |
| Launched on MUSE | 2018-01-03 |
| Open Access | No |
| Archive Status | Archived 2025 |
Copyright
Copyright © Performing Arts Journal, Inc and its authors.
