1. PAJ, A Personal History
  2. Bonnie Marranca
  3. pp. 23-42
  4. restricted access
  1. Writing for a Political Theatre
  2. Eric Bentley
  3. pp. 45-58
  4. restricted access
  1. The Avant-Garde Industry
  2. Daryl Chin
  3. pp. 59-75
  4. restricted access
  1. History, Cultural Policy, and International Exchange in the Performing Arts
  2. Stanley Katz
  3. pp. 76-88
  4. restricted access
  1. Yogi’s Out, Billy’s In: The Great American Theatre Ballgame
  2. Christopher Martin
  3. pp. 91-98
  4. restricted access
  1. When the Center Does Not Hold: Regional Theatre, Decentralization, and Community
  2. Robert Marx
  3. pp. 99-105
  4. restricted access
  1. Southern Theatre and the Paradox of Progress
  2. James Flannery
  3. pp. 106-116
  4. restricted access
  1. Problems of Trans-Atlantic Traffic: German Drama in the American Theatre
  2. Carl Weber
  3. pp. 117-130
  4. restricted access
  1. Theatre Criticism: The Elusive Object, the Fading Craft
  2. Gordon Rogoff
  3. pp. 133-141
  4. restricted access
  1. Is There a Text on This Stage?: Theatre / Authorship / Interpretation
  2. Gerald Rabkin
  3. pp. 142-159
  4. restricted access
  1. ‘the play’s the thing’ —a polemic—
  2. Colette Brooks
  3. pp. 160-162
  4. restricted access
  1. Presence and the Revenge of Writing: Re-thinking Theatre After Derrida
  2. Elinor Fuchs
  3. pp. 163-173
  4. restricted access
  1. Theatrical Dance: How Do We Know It When We See It If We Can’t Define It
  2. Roger Copeland
  3. pp. 174-184
  4. restricted access
  1. Women/Text/Theatre
  2. Gayle Austin
  3. pp. 185-190
  4. restricted access
  1. Odd, Anonymous Needs: The Audience in a Dramatized Society
  2. Herbert Blau
  3. pp. 199-212
  4. restricted access
  1. The Pre-Recorded Audience in Two Dimensions
  2. Adam Parfrey
  3. pp. 213-218
  4. restricted access
  1. Postmodern Performance and Technology
  2. Johannes Birringer
  3. pp. 221-233
  4. restricted access
  1. Bones Have Their Fates
  2. Greg Whitehead
  3. pp. 234-236
  4. restricted access
  1. From Science to Theatre: Dramas of Speculative Thought
  2. Gautam Dasgupta
  3. pp. 237-246
  4. restricted access
  1. The War in Heaven (Angel’s Monologue)
  2. Joseph Chaikin, Sam Shepard
  3. pp. 249-262
  4. restricted access
  1. The Art of Performance by Jorge Glusberg (review)
  2. Daryl Chin
  3. pp. 265-266
  4. restricted access
  1. Great Reckonings in Little Rooms: On the Phenomenology of Theater by Bert O. States (review)
  2. William Coco
  3. pp. 266-267
  4. restricted access
  1. Joseph Chaikin: Exploring at the Boundaries of Theatre by Eileen Blumenthal (review)
  2. Gerald Rabkin
  3. pp. 267-268
  4. restricted access
  1. American Set Design by Arnold Aronson (review)
  2. Alisa Solomon
  3. p. 269
  4. restricted access
  1. Poor Dancer’s Almanac: A Survival Manual for Choreographers, Managers and Dancers by Dance Theatre (review)
  2. John Fiscella
  3. pp. 269-270
  4. restricted access
  1. Why We Need Broadway: Some Notes
  2. Stanley Kauffmann
  3. pp. 193-198
  4. restricted access
  1. A Critical Introduction to Twentieth-Century American Drama: Volume One: 1900–1940; Volume Two: Williams / Miller / Albee; Volume Three: Beyond Broadway by C. W. E. Bigsby (review)
  2. Gerald Rabkin
  3. pp. 264-265
  4. restricted access