In this Issue

Table of Contents

PAJ, A Personal History

Bonnie Marranca
pp. 23-42
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Writing for a Political Theatre

Eric Bentley
pp. 45-58
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The Avant-Garde Industry

Daryl Chin
pp. 59-75
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History, Cultural Policy, and International Exchange in the Performing Arts

Stanley Katz
pp. 76-88
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Yogi’s Out, Billy’s In: The Great American Theatre Ballgame

Christopher Martin
pp. 91-98
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When the Center Does Not Hold: Regional Theatre, Decentralization, and Community

Robert Marx
pp. 99-105
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Southern Theatre and the Paradox of Progress

James Flannery
pp. 106-116
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Problems of Trans-Atlantic Traffic: German Drama in the American Theatre

Carl Weber
pp. 117-130
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Theatre Criticism: The Elusive Object, the Fading Craft

Gordon Rogoff
pp. 133-141
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Is There a Text on This Stage?: Theatre / Authorship / Interpretation

Gerald Rabkin
pp. 142-159
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‘the play’s the thing’ —a polemic—

Colette Brooks
pp. 160-162
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Presence and the Revenge of Writing: Re-thinking Theatre After Derrida

Elinor Fuchs
pp. 163-173
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Theatrical Dance: How Do We Know It When We See It If We Can’t Define It

Roger Copeland
pp. 174-184
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Women/Text/Theatre

Gayle Austin
pp. 185-190
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Odd, Anonymous Needs: The Audience in a Dramatized Society

Herbert Blau
pp. 199-212
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The Pre-Recorded Audience in Two Dimensions

Adam Parfrey
pp. 213-218
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Postmodern Performance and Technology

Johannes Birringer
pp. 221-233
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Bones Have Their Fates

Greg Whitehead
pp. 234-236
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From Science to Theatre: Dramas of Speculative Thought

Gautam Dasgupta
pp. 237-246
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The War in Heaven (Angel’s Monologue)

Joseph Chaikin, Sam Shepard
pp. 249-262
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The Art of Performance by Jorge Glusberg (review)

Daryl Chin
pp. 265-266
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Great Reckonings in Little Rooms: On the Phenomenology of Theater by Bert O. States (review)

William Coco
pp. 266-267
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Joseph Chaikin: Exploring at the Boundaries of Theatre by Eileen Blumenthal (review)

Gerald Rabkin
pp. 267-268
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American Set Design by Arnold Aronson (review)

Alisa Solomon
p. 269
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Poor Dancer’s Almanac: A Survival Manual for Choreographers, Managers and Dancers by Dance Theatre (review)

John Fiscella
pp. 269-270
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Why We Need Broadway: Some Notes

Stanley Kauffmann
pp. 193-198
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A Critical Introduction to Twentieth-Century American Drama: Volume One: 1900–1940; Volume Two: Williams / Miller / Albee; Volume Three: Beyond Broadway by C. W. E. Bigsby (review)

Gerald Rabkin
pp. 264-265
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