restricted access   Volume 9, Number 1, 1985 (PAJ 25)

Table of Contents


The Theatre and Literary Culture

pp. 6-8


Acts of Criticism

pp. 9-11

The Director as Thinker: Carmelo Bene’s Otello

pp. 12-16

Milan and His Master

pp. 17-24

Milan Kundera: interviewed by Arthur Holmberg

pp. 25-27

Susan Sontag: interviewed by Arthur Holmberg

pp. 28-30

Beyond Perspective: Scenic Space in New Italian Theatre

pp. 31-38

Jean Genet: The Intellectual as Guerrilla

pp. 38-46

The Academy of Fashion: Beach Hits the Wave at BAM

pp. 47-53

Performance Notes

L’llusion by Pierre Corneille, Temporale by August Strindberg (review)

pp. 54-60

La Danse De Mort by August Strindberg (review)

pp. 60-61

Fertility Dance by Kaibola Village (review)

pp. 61-64

Bérénice by Jean Racine (review)

pp. 64-65

Luces de Bohemia by Ramón del Valle-lnclán, Diálogo secreto by Antonio Buero-Vallejo (review)

pp. 66-69

The Possessed (review)

pp. 69-72

Vietnamese Water Puppets

pp. 73-82

Alberto Savinio and the Teatro Metafisico

pp. 83-88

Songs of the Half-Dead: (Dramatic Scenes from Risorgimento Episodes)

pp. 89-94

Books and Company

The Anti-Aesthetic: Essays on Postmodern Culture ed. by Hal Foster (review)

pp. 95-96

Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England by Martin Meisel (review)

pp. 96-98

Democracy’s Body: Judson Dance Theater, 1962–1964 by Sally Banes (review)

pp. 98-99

Theory of the Avant-Garde by Peter Burger, The Postmodern Condition: A Report on Knowledge by Jean-François Lyotard (review)

pp. 99-100