1. “Helping the Guards”: Illegal Displays and Blueshirt Criminality, 1932–36
  2. Dale Montgomery
  3. pp. 22-43
  4. DOI: 10.1353/eir.2014.0001
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  1. “A Pleasant Little Game of Money-Making”: Ireland and the “New Smuggling,” 1939–45
  2. Bryce Evans
  3. pp. 44-68
  4. DOI: 10.1353/eir.2014.0003
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  1. Unlawful Carnal Knowledge of Teenage Girls: Performing Femininity and the Myth of Absolute Liability
  2. Laura Weinstein
  3. pp. 69-91
  4. DOI: 10.1353/eir.2014.0005
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  1. “For the Readies”: Brendan Behan, Crime Fiction, and the Dublin Underworld
  2. John Brannigan
  3. pp. 92-105
  4. DOI: 10.1353/eir.2014.0007
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  1. John Banville and Benjamin Black: The Mundo, Crime, Women
  2. Carol Dell’Amico
  3. pp. 106-120
  4. DOI: 10.1353/eir.2014.0008
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  1. Crime Fiction’s Dublin: Reconstructing Reality in Novels by Dermot Bolger, Gene Kerrigan, and Tana French
  2. Rosemary Erickson Johnsen
  3. pp. 121-141
  4. DOI: 10.1353/eir.2014.0009
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  1. “Inhuman Conditions Prevailing”: The Significance of the Dirty Protest in the Irish Republican Prison War, 1978–81
  2. Rachel Oppenheimer
  3. pp. 142-163
  4. DOI: 10.1353/eir.2014.0000
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  1. Toward a “Post-Troubles” Cinema?: The Troubled Intersection of Political Violence and Gender in Neil Jordan’s The Crying Game and Breakfast on Pluto
  2. Aisling B. Cormack
  3. pp. 164-192
  4. DOI: 10.1353/eir.2014.0002
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  1. The Journalist and the Policeman: Seekers for Truth or Rivals in the Game?
  2. Conor Brady
  3. pp. 193-204
  4. DOI: 10.1353/eir.2014.0004
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  1. Editors’ Introduction: Irish Crime since 1921
  2. William Meier, Ian Campbell Ross
  3. pp. 7-21
  4. DOI: 10.1353/eir.2014.0010
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  1. Contributors
  3. pp. 205-207
  4. DOI: 10.1353/eir.2014.0006
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