1. Historical Moments
  2. The Editors
  3. pp. 5-6
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  1. Bloom, Hirsch, Jacoby: What Do Their Books Mean For Higher Education (Particularly in Theatre)?
  2. Bruce Wilshire
  3. pp. 7-13
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  1. The Education of a Theatreperson
  2. Robert Brustein, James Flannery, James N. Amankulor, Gerry Large
  3. pp. 14-19
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  1. Resurrected Images: Godard’s King Lear
  2. Marc Robinson
  3. pp. 20-25
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  1. Theatrework: The Request Concert Project
  2. Rustom Bharucha
  3. pp. 26-38
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  1. Crossing Bridges and Borders: Independent Theatre in the GDR
  2. Patricia Anne Simpson
  3. pp. 39-45
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  1. The PAJ Casebook #2: Into the Woods
  3. pp. 46-47
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  1. Contemporary Performance: The Emergence of the Fairy Tale
  2. Nina Mankin
  3. pp. 48-53
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  1. Writer/Director
  2. James Lapine
  3. pp. 54-55
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  1. Settings
  2. Tony Straiges
  3. pp. 56-57
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  1. Costumes
  2. Ann Hould-Ward
  3. pp. 58-59
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  1. Composer
  2. Stephen Sondheim
  3. pp. 60-61
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  1. Actor
  2. Chip Zien
  3. p. 61
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  1. Actor
  2. Tom Aldredge
  3. p. 61
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  1. Lighting
  2. Richard Nelson
  3. p. 62
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  1. Orchestrations
  2. Jonathan Tunick
  3. pp. 62-63
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  1. Musical Staging
  2. Lar Lubovitch
  3. p. 63
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  1. Stephen Sondheim
  2. Stephen Sondheim
  3. p. 64
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  1. Actress
  2. Joanna Gleason
  3. pp. 64-65
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  1. Actress
  2. Bernadette Peters
  3. p. 65
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  1. Charles L. Mee, Jr.: The Theatre of History
  2. Alisa Solomon, Charles L. Mee Jr.
  3. pp. 67-76
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  1. The Constitutional Convention, The Sequel
  2. Charles L. Mee Jr.
  3. pp. 77-88
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  1. Dance Writings by Edwin Denby, and: Sight Lines by Arlene Croce (review)
  2. James Magruder
  3. pp. 89-90
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  1. The Absent One: Mourning Ritual, Tragedy, and the Performance of Ambivalence by Susan Letzler Cole (review)
  2. Gerald Rabkin
  3. pp. 90-91
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  1. Male Fantasies (Volume I): Women, Floods, Bodies, History by Klaus Theweleit (review)
  2. Kathleen Hulley
  3. pp. 91-92
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  1. Theatre Is Not Safe by Gordon Rogoff (review)
  2. Mac Wellman
  3. p. 92
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  1. We Can Always Call Them Bulgarians by Kaier Curtin (review)
  2. James Magruder
  3. p. 93
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  1. Russian Drama From Its Beginnings to the Age of Pushkin by Simon Karlinsky (review)
  2. Sally Banes
  3. pp. 93-94
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  1. Turn-of-the-Century Cabaret: Paris, Barcelona, Berlin, Munich, Vienna, Cracow, Moscow, St. Petersburg, Zurich by Harold B. Segel (review)
  2. Marc Robinson
  3. pp. 94-95
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  1. Travels in Hyperreality by Umberto Eco (review)
  2. Jordan Tamagni
  3. pp. 95-96
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  1. Content’s Dreams: Essays 1975–1984 by Charles Bernstein (review)
  2. Mac Wellman
  3. p. 96
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