1. Las músicas de Betty, la fea
  2. María Edurne Zuazu, Rubén López Cano
  3. pp. 1-24
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  1. El arte de adecentar los sonidos: Huellas de las operaciones de normalización del tango argentino, 1900–1920
  2. María Mercedes Liska
  3. pp. 25-49
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  1. Música y negritud en Chile: De la ausencia presente a la presencia ausente
  2. Víctor Rondón
  3. pp. 50-87
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  1. Amenizar, sincronizar, significar: Música y cine silente en Chile, 1910–1930
  2. Fernando Purcell, Juan Pablo González
  3. pp. 88-114
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  1. Bomba, danza, calipso y merengue: Creación del espacio social en las fiestas de Santiago Apóstol de Loíza
  2. Jaime O. Bofill Calero
  3. pp. 115-138
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  1. Historia social de la música popular en Chile, 1950–1970 by Juan Pablo González, Oscar Ohlsen, Claudio Rolle (review)
  2. Fernando Rios
  3. pp. 139-141
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  1. Performance in the Borderlands ed. by Ramón H. Rivera-Servera, Harvey Young (review)
  2. Gregory J. Robinson
  3. pp. 142-145
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  1. Música/musicología y colonialismo (review)
  2. Oscar Hernández Salgar
  3. pp. 145-148
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  1. Sones y huapangos: Musique de la Huasteca et de Veracruz (Mexique), and: El gusto: 40 años de son huasteco (review)
  2. Alex E. Chávez
  3. pp. 148-152
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  1. The Other Side of the Water: The Journey of a Haitian Rara Band in Brooklyn by Jeremy Robins, Magali Damas (review)
  2. Lois Wilcken
  3. pp. 152-154
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  1. Transnational Encounters: Music and Performance at the U.S.-Mexico Border ed. by Alejandro L. Madrid (review)
  2. Ruth Hellier-Tinoco
  3. pp. 155-157
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  1. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene by Frederick Moehn (review)
  2. Darien Lamen
  3. pp. 158-160
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  1. Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)
  2. Ketty Wong
  3. pp. 160-163
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  1. Communications and Announcements
  2. pp. 164-166
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  1. Contributors
  2. pp. 167-168
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