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In this Issue

Table of Contents

  1. Image
  3. p. 1
  4. restricted access
  1. The Con
  2. Aliza Shvarts
  3. pp. 2-3
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  1. José Esteban Muñoz 1967–2013
  2. Barbara Browning, Vaginal Davis, Coco Fusco, Carmelita Tropicana, Alina Troyano, Dynasty Handbag, Jibz Cameron, Jorge Ignacio Cortiñas, Nao Bustamante
  3. pp. 7-13
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  1. Remembering Feminist Remimesis: A Riddle in Three Parts
  2. Rebecca Schneider
  3. pp. 14-32
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  1. Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments
  2. Petra Kuppers
  3. pp. 33-50
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  1. Theatre, Masculinity, and Class in the First World War: Vivian Gilbert Performs the Last Crusade
  2. Eitan Bar-Yosef
  3. pp. 51-71
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  1. Work and Shoot: Professional Wrestling and Embodied Politics
  2. Broderick D.V. Chow
  3. pp. 72-86
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  1. Still Thrills: The Drama of Chess
  2. Gary Alan Fine, Harvey Young
  3. pp. 87-98
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  1. Shot and Captured: Turf Dance, YAK Films, and the Oakland, California, R.I.P. Project
  2. Naomi Bragin
  3. pp. 99-114
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  1. An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation
  2. Gillian Turner Young
  3. pp. 115-131
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  1. Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord’s Racial Project
  2. Bryan Schmidt
  3. pp. 132-148
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  1. Gómez-Peña on Illness, the Human Body, Performance, and Quantum Physics: a psychomagic script for a hard recovery
  2. Gómez-Peña Guillermo, Elaine Katzenberger
  3. pp. 149-162
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  1. The Subterranean Language of Jeanine Durning’s inging and Monique Jenkinson’s Instrument
  2. Megan V. Nicely
  3. pp. 163-171
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  1. Making Theatre Art: David Levine’s Habit
  2. Sarah Kozinn
  3. pp. 171-176
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  1. The Cambridge Companion to African American Theatre edited by Harvey Young (review)
  2. David Krasner
  3. pp. 177-179
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  1. Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)
  2. Amma Y. Ghartey-Tagoe Kootin
  3. pp. 179-180
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  1. Sex, Drag, and Male Roles: Investigating Gender as Performance by Diane Torr and Stephen Bottoms (review)
  2. Tanya Augsburg
  3. pp. 180-182
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  1. Antigone on the Contemporary World Stage edited by Erin B. Mee and Helene P. Foley (review)
  2. Marvin Carlson
  3. pp. 183-184
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  1. The Brightest Thing in the World: 3 Lectures from the Institute of Failure by Matthew Goulish (review)
  2. Jon Foley Sherman
  3. pp. 184-186
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  1. Ensemble Theatre Making: A Practical Guide by Rose Burnett Bonczek and David Storck (review)
  2. Rachel Anderson-Rabern
  3. pp. 186-188
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